"Graduale: II. In memoria aeterna" by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena had its release date on January 1, 2001. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena's "Morales: Requiem" album is number 8 out of 28. On top of that, Mexico appears to be the country where this track was created. Based on our statistics, Graduale: II. In memoria aeterna's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Graduale: II. In memoria aeterna by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Ave maris stella | Cristobal de Morales, Ensemble Plus Ultra, Michael Noone | A Minor | 1 | 8A | 89 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| Magnificat | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | F Minor | 0 | 4A | 81 BPM | ||
| Parce Mihi Domine | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 129 BPM | ||
| Parce Mihi Domine - Var. 2 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 80 BPM | ||
| I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
| Missa Gloria tibi Trinitas: Sanctus | John Taverner, Christ Church Cathedral Choir, Oxford, Stephen Darlington | D Minor | 2 | 7A | 71 BPM | ||
| Vespro della Beata Vergine, SV 206: Faux-bourdon Domine ad adjuvandum me | Claudio Monteverdi, La Tempête, Simon-Pierre Bestion, Francisco Mañalich | D Major | 3 | 10B | 112 BPM | ||
| Three Songs of Faith: I. hope, faith, life, love.... | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
| make peace | David Lang, The Crossing, Donald Nally | D Minor | 1 | 7A | 171 BPM | ||
| Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | B♭ Major | 2 | 6B | 89 BPM | ||
| Procedentem sponsum | Anonymous, Jan Garbarek, The Hilliard Ensemble | D Minor | 1 | 7A | 172 BPM | ||
| Jam Christus astra ascenderat | Cristobal de Morales, Ensemble Plus Ultra, Michael Noone | G Major | 1 | 9B | 106 BPM | ||
| Lamentations Ieremiae Prophetae: Ierusalem | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 0 | 10A | 92 BPM | ||
| Lamentabatur Jacob: II. Prosternens se Jacob | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F♯ Minor | 1 | 11A | 78 BPM | ||
| The Spheres | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 131 BPM | ||
| Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): IV. Domine Fili | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | D Major | 0 | 10B | 60 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Missa Pange lingua: I. Kyrie | Josquin des Prez, Kammerchor Josquin des Préz, Ludwig Bohme | B Minor | 2 | 10A | 72 BPM |