Arrows's 'We Only Speak on Weekends' had a release date set for November 3, 2008. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arrows's "Modern Art & Politics" album is number 1 out of 10. Based on our statistics, We Only Speak on Weekends's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Only Speak on Weekends by Arrows to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Head In The Sand | Pop Unknown | E Major | 10 | 12B | 84 BPM | ||
| Hugs From Boys (1998) | Braid | D Minor | 6 | 7A | 76 BPM | ||
| Fld Ovr | Everyone Everywhere | E Major | 8 | 12B | 144 BPM | ||
| Gjs | Mineral | G Major | 9 | 9B | 136 BPM | ||
| Somebody's Done For | The Promise Ring | G Major | 4 | 9B | 88 BPM | ||
| Probably German | Fire in the Radio | E Major | 5 | 12B | 101 BPM | ||
| 8105 | Moving Mountains | A♭ Minor | 8 | 1A | 175 BPM | ||
| Young Fire | Pianos Become The Teeth | E Minor | 3 | 9A | 125 BPM | ||
| Slopes | Prawn | A Major | 9 | 11B | 100 BPM | ||
| Cold Night In Virginia | The Blacktop Cadence | A Major | 5 | 11B | 105 BPM | ||
| The Tension Between Stillness And Motion | Grade | D Major | 9 | 10B | 100 BPM | ||
| Wild Life | Everyone Everywhere | G Major | 9 | 9B | 170 BPM | ||
| Grow on, Grow up, Grow out | Moving Mountains | D♭ Major | 6 | 3B | 160 BPM | ||
| Flicker | Time Spent Driving | B♭ Major | 5 | 6B | 125 BPM | ||
| Ode We Will Bury Ourselves | Moving Mountains | C Minor | 6 | 5A | 160 BPM | ||
| Six Parts Summer | CSTVT | E Major | 8 | 12B | 90 BPM | ||
| Everyone Is My Friend | OWLS | E Major | 8 | 12B | 101 BPM | ||
| Dead Men Don't Lie | Owen | D Minor | 3 | 7A | 85 BPM | ||
| Mutual Collision | Frameworks | E Major | 6 | 12B | 98 BPM | ||
| Atlantic | Rainer Maria | C Major | 9 | 8B | 177 BPM | ||
| Beautiful Charade | Camber | D Major | 7 | 10B | 134 BPM | ||
| The Weight Of The World And Every Dress You Ever Wore | The Saddest Landscape | D Major | 8 | 10B | 113 BPM | ||
| White Out | Joan Of Arc | B Major | 7 | 1B | 134 BPM | ||
| Paper | Mock Orange | F Major | 8 | 7B | 160 BPM | ||
| Brilliance | Penfold | D Major | 6 | 10B | 125 BPM |