"An Introduction to … DONIZETTI: L'elisir d'amore: Background: Intdocution" by David Timson had its release date on August 10, 2003. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Opera Explained: Donizetti - L'Elisir D'Amore (Smillie)". In this album, this song's track order is #1. An Introduction to … DONIZETTI: L'elisir d'amore: Background: Intdocution is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An Introduction to … DONIZETTI: L'elisir d'amore: Background: Intdocution by David Timson having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 4: Aria - La vendetta, oh, la vendetta | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 3 | 10B | 135 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| Aida / Act 1: Danza sacra del Sacerdotesse - Immenso Fthà - Mortal, diletto ai Numi | Giuseppe Verdi, Plácido Domingo, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E♭ Major | 0 | 5B | 83 BPM | ||
| Massenet: Manon, Act 3: "N'est-ce plus ma main que cette main presse ?" (Manon, Des Grieux) | Jules Massenet, Victoria de los Ángeles, Henri Legay, Pierre Monteux, Orchestre Du Theatre National De L'Opera Comique | C Minor | 1 | 5A | 77 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| The Sonnets*: Sonnet 12: When I do count the clock that tells the time | Bertie Carvel, Gunnar Cauthery, Stella Gonet, Alex Jennings, Jonathan Keeble, Anton Lesser, Roy McMillan, Tom Mison, Maxine Peake, Anne-Marie Piazza, Hugh Ross, Benjamin Soames, Juliet Stevenson, David Tennant, David Timson, Trevor White | G Major | 2 | 9B | 60 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| An Introduction to … VERDI La traviata: The arrival of Germont | David Timson | A♭ Major | 1 | 4B | 87 BPM | ||
| Le nozze di Figaro, K. 492, Act I: No. 6, Non so più – Ah, son perduto! | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Puccini: Tosca, Act 2 Scene 4: "Nel pozzo... nel giardino… Floria! … Amore" (Tosca, Scarpia, Sciarrone, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Pronta io son, purch'io non manchi" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Philharmonia Orchestra | C Major | 2 | 8B | 83 BPM | ||
| An Introduction to … BIZET Carmen: Carmen - the master work | David Timson | G Major | 2 | 9B | 73 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| I puritani, Act I: Ad Arturo onore | Vincenzo Bellini, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | A Major | 3 | 11B | 78 BPM | ||
| Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: IX. Ragtime | Benjamin Soames, Jonathan Keeble, Northern Chamber Orchestra, David Timson, Igor Stravinsky | G Minor | 3 | 6A | 120 BPM | ||
| Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 90 BPM | ||
| Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Helen Donath, Luciano Pavarotti, Pier Francesco Poli, Sherrill Milnes, Leonardo Monreale, Nicolas Christou, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | ||
| Ariane et Barbe-bleue, Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | E Major | 0 | 12B | 87 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (a) "Me voici! … Non" (Méphistophélès, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Bellini: I puritani: "O di Cromwell guerrieri, pieghiam la mente e il cor" (Bruno, Elvira, Arturo, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |