Hildegard von Bingen, La Reverdie's 'Laus Trinitati' had a release date set for 1993. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in La Reverdie's "Knights, Maids and Miracles: The Spring of Middle Ages" album is number 17 out of 93. On top of that, France appears to be the country where this track was created. In terms of popularity, Laus Trinitati is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laus Trinitati by Hildegard von Bingen, La Reverdie to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jubilate Deo | Cristobal de Morales, Stile Antico | B♭ Minor | 2 | 3A | 88 BPM | ||
| Mille regretz | Josquin des Prez, Dudok Quartet Amsterdam | A Minor | 0 | 8A | 93 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
| Rex noster promptus est | Hildegard von Bingen, Karen R. Clark, Vajra Voices, Shira Kammen | A Minor | 1 | 8A | 81 BPM | ||
| Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
| Requiem: Pie Jesu Domine - Cristóbal de Morales | Claude Goudimel, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | B♭ Major | 2 | 6B | 74 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| Audite | Estampie | D Major | 2 | 10B | 104 BPM | ||
| O salutaris hostia | Ēriks Ešenvalds, Kate Ledington, Maeve Stier, Portland State University Chamber Choir, Ethan Sperry | G Minor | 1 | 6A | 136 BPM | ||
| Gloria in Terra Humilium | Elaria, Schola Antiqua, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest | F♯ Major | 0 | 2B | 171 BPM | ||
| Cantus Beatissimae Aurorae | Choir Of St. Abuscus, Chants of Eternity | F Major | 1 | 7B | 69 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Ordo Virtutum, Szene II: "Ego Timor Dei" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | C Major | 0 | 8B | 110 BPM | ||
| Liturgy of the Presanctified Gifts, Op. 24: No. 8, Da ispravitsja molitva moja (Let my Prayer be Set Forth in thy Sight as Insense) | Pavel Chesnokov, Valaam Singing Culture Institute Men's Choir, Igor Ushakov | B Major | 1 | 1B | 134 BPM | ||
| Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 89 BPM | ||
| Con que la lavare | Miguel de Fuenllana, Shirley Rumsey | C Minor | 0 | 5A | 91 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| Stella splendens | Jordi Savall | D Major | 3 | 10B | 72 BPM | ||
| Hæc Dies | Dawid Kusz OP, Fundacja Dominikański Ośrodek Liturgiczny | C Major | 2 | 8B | 93 BPM | ||
| In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
| Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 0 | 11A | 70 BPM | ||
| Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VII Deo gratias | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 83 BPM | ||
| Caritas habundat in omnia | Hildegard von Bingen, Sequentia, Barbara Thornton | D Minor | 1 | 7A | 83 BPM | ||
| Adagio for Strings: Agnus Dei | Samuel Barber, Armonico Consort, Christopher Monks | B♭ Minor | 1 | 3A | 78 BPM |