Shilpi Mathur, Sanjay Raizada's ' "Mor Bole Re" was released on its scheduled release date, June 1, 1989. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Panihari". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Mor Bole Re's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mor Bole Re by Shilpi Mathur, Sanjay Raizada having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Sharde Maa He Sharde Maa | Ami Joshi | F Minor | 5 | 4A | 125 BPM | ||
| Jokhon Tomhar Keu Chelo Na | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| Radha Amritwaani 02 | Shilpi Mathur | D Major | 6 | 10B | 77 BPM | ||
| Badol Diner Prothom Kodom Ful | Rezwana Choudhury Bannya | A♭ Major | 3 | 4B | 115 BPM | ||
| jaya jaya sav shankar | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Hanuman Ji Ki Aarti | Baal Kishan Bunty, Maanya Arora, Dhvani Arora | F♯ Major | 7 | 2B | 96 BPM | ||
| Hare Krishna Vol 3 Part 1 - Original | Bitu Samajpati, NA | D Major | 5 | 10B | 127 BPM | ||
| Babu Ami Gayer Chhele | Sanajit Mondal | A♭ Major | 5 | 4B | 99 BPM | ||
| Hari Hari Narayan | Acharya Mridul Krishan Shastri | B Major | 6 | 1B | 139 BPM | ||
| Saun Da Mahina | Jitender Singh, Shilpi Mathur | A♭ Major | 5 | 4B | 182 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Hare Krishna Vol 2 Part 5 - Original | Bitu Samajpati, NA | G Major | 7 | 9B | 95 BPM | ||
| Keno Saradin | Manomay Bhattacharya | B Major | 3 | 1B | 119 BPM | ||
| Aarti Gayatri Mata Ki | Hari Om Sharan | E Major | 8 | 12B | 176 BPM | ||
| Tu Radhe Radhe Gaale | Rajesh Goswami | D♭ Minor | 5 | 12A | 120 BPM | ||
| Mon Tor Eto Bhabna | Srikanta Acharya | D Major | 4 | 10B | 154 BPM | ||
| Jay ho Tamari Bahucher madi | Hari cassettes | B♭ Minor | 4 | 3A | 115 BPM | ||
| Saha Di Mala | Kulwant Singh, Shilpi Mathur | E♭ Minor | 3 | 2A | 110 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Chingari Koi Bhadke | Amit Kumar | B Minor | 4 | 10A | 90 BPM | ||
| Virpurma Jalar Nagara Ruda Vage | Kamlesh Barot | A♭ Major | 4 | 4B | 96 BPM | ||
| Dotara Bajai Ami | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Khelaghar Bandhte Legechi | Indrani Sen | B♭ Major | 5 | 6B | 174 BPM |