Antonio Sartorio, Rolando Villazón, L'Arpeggiata, Christina Pluhar's ' "L'Orfeo, Act III: Rendetemi Euridice" was released on its scheduled release date, November 21, 2025. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. L'Orfeo, Act III: Rendetemi Euridice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Orfeo son io". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, L'Orfeo, Act III: Rendetemi Euridice is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With L'Orfeo, Act III: Rendetemi Euridice by Antonio Sartorio, Rolando Villazón, L'Arpeggiata, Christina Pluhar having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sartorio: L'Orfeo, Act 1: "Arde per Euridice l'infelice Aristeo" (Erinda) | Antonio Sartorio, Rene Clemencic, Clemencic Consort, Mieczysław Antoniak | G Major | 3 | 9B | 116 BPM | ||
| Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
| Sartorio: L'Orfeo, Act 3: "Se desti pietà" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | A♭ Minor | 0 | 1A | 131 BPM | ||
| Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Minor | 2 | 2A | 114 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 1 | 3A | 82 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): I. Salve Regina | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Minor | 1 | 8A | 93 BPM | ||
| Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
| Nisi Dominus (Psalm 126), R.608: 3. "Surgite" (Presto) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | ||
| Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 113 BPM | ||
| L'Annonciation | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 88 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
| Act I: Scene 8 - Sofferenza, mio core | Antonio Sartorio, Teatro Lirico, Stephen Stubbs | D♭ Minor | 1 | 12A | 82 BPM | ||
| Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
| Frescobaldi: Arie musicali, Libro 1: No. 16, Aria di Passacaglia. "Così mi disprezzate?" | Girolamo Frescobaldi, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
| Arripe alpestri ad vallem: Sereni affectus mei | Il Seminario Musicale, Gérard Lesne | E Major | 0 | 12B | 70 BPM | ||
| Ouverture-Suite in B Minor, TWV 55:h4: VI. Menuet I - VII. Menuet II | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 1 | 3B | 76 BPM | ||
| Prelude in G Minor, ZN. 773 | Henry Purcell, Théotime Langlois de Swarte | F♯ Minor | 0 | 11A | 145 BPM | ||
| Un allato messagier | Luigi Rossi, Eva Zaïcik, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 92 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Huw Montague Rendall, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | ||
| Fago: Tam non splendet sol creatus: IV. "Alleluia" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 4 | 12B | 124 BPM | ||
| Sinfonia to the oratorio Santa Beatrice d'Este in D Minor, WoO 1: I. Grave | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Minor | 2 | 12A | 79 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: II. Allegro spiritoso | Charles Avison, Café Zimmermann | G Major | 1 | 9B | 120 BPM |