Mayday Parade's 'Happy Endings Are Stories That Haven't Ended Yet' had a release date set for October 3, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mayday Parade's "Mayday Parade (Deluxe Edition)" album is number 12 out of 14. The popularity of Happy Endings Are Stories That Haven't Ended Yet is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Happy Endings Are Stories That Haven't Ended Yet by Mayday Parade to be Presto (very, very fast) because the track has a tempo of 185 BPM, a half-time of 92BPM, and a double-time of 370 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I Ever See You Again | Grayscale | D♭ Major | 10 | 3B | 122 BPM | ||
| Slipping Away | Grayscale | B Major | 9 | 1B | 129 BPM | ||
| Don't Let Me Cave In | The Wonder Years | A♭ Major | 10 | 4B | 160 BPM | ||
| Boulders | New Found Glory | G Major | 7 | 9B | 104 BPM | ||
| Moan | Cute Is What We Aim For | G Major | 8 | 9B | 102 BPM | ||
| The Torment Of Existence Weighed Against The Horror Of Nonbeing | Mayday Parade | D Major | 8 | 10B | 187 BPM | ||
| Millennia | Crown The Empire | F Major | 10 | 7B | 186 BPM | ||
| Roots and Branches (Meant To Be Alone) | This Wild Life | C Major | 4 | 8B | 135 BPM | ||
| Candles | Hey Monday | F♯ Major | 6 | 2B | 176 BPM | ||
| History | This Wild Life | A♭ Major | 5 | 4B | 140 BPM | ||
| Like a Kid | The Early November | B♭ Major | 4 | 6B | 120 BPM | ||
| Hollywood | Cute Is What We Aim For | A♭ Minor | 9 | 1A | 150 BPM | ||
| 6 Months | Hey Monday | D Major | 3 | 10B | 168 BPM | ||
| Like A Knife | Secondhand Serenade | E♭ Major | 6 | 5B | 160 BPM | ||
| Dutch Courage | The Spill Canvas | E♭ Minor | 4 | 2A | 125 BPM | ||
| Harder Than You Know | Escape the Fate | E♭ Major | 5 | 5B | 107 BPM | ||
| Bruised and Scarred | Mayday Parade | D Major | 10 | 10B | 123 BPM | ||
| Drown | Front Porch Step | A♭ Major | 7 | 4B | 95 BPM | ||
| The Permanent Rain | The Dangerous Summer | B♭ Major | 8 | 6B | 125 BPM | ||
| What Did You Expect? | Neck Deep | C Major | 9 | 8B | 95 BPM | ||
| Thank You & Goodnight | Tonight Alive | A♭ Major | 9 | 4B | 200 BPM | ||
| Take It Back | This Wild Life | G Major | 5 | 9B | 113 BPM | ||
| This Photograph Is Proof (I Know You Know) | Taking Back Sunday | G Major | 9 | 9B | 158 BPM | ||
| 19 Seventy Sumthin' | Neck Deep | A♭ Major | 8 | 4B | 81 BPM | ||
| Melody's Song | The Ready Set | C Major | 8 | 8B | 165 BPM |