Ramesh Shrestha's ' "Sankat Pardachha" was released on its scheduled release date, September 20, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Ye Indreni by Ramesh Shrestha. The song's track number on the album is #2 out of 8 tracks. Based on our data, Norway was the country where this track was produced or recorded. Based on our statistics, Sankat Pardachha's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Sankat Pardachha by Ramesh Shrestha has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sankat Pardachha being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kati Baschhau Maitikai Kausima | Himal Shrestha, Anju Panta | A Major | 9 | 11B | 113 BPM | ||
| Tin Pate | Nirala Tamang | A Minor | 5 | 8A | 93 BPM | ||
| Bela Bitesi (From "Hari Bahadur Ko Jutta") | Prakash Saput, Samikshya Adhikari | G Major | 9 | 9B | 152 BPM | ||
| Sim Sime Panima | Rekha Shah | E♭ Major | 8 | 5B | 90 BPM | ||
| Kasmire Pachhyauri | Nischal Dawadi, Babu Krishna Pariyar, Deepika Bayambu Magar | B Major | 8 | 1B | 102 BPM | ||
| Ragatko Tika | Ramesh Shrestha, Om | C Major | 6 | 8B | 130 BPM | ||
| Kasaile Bhujana | Gyanu Rana | A Minor | 5 | 8A | 146 BPM | ||
| Bicha Bichama (Kacho Katara) | Durgesh Thapa | C Major | 9 | 8B | 129 BPM | ||
| Chhati Ma Mero-Aahai Kalilo Tamalai | Tara Thapa, Chhetra Gurung | E♭ Major | 9 | 5B | 140 BPM | ||
| Hongkong Pokhara | Kandara Band | B Minor | 6 | 10A | 109 BPM | ||
| Bihaniko Aabhash | Pramod Hamal, Om, Ramesh Shrestha | C Major | 7 | 8B | 135 BPM | ||
| Darshan Salam (Chhakka Panja 4) | David Shankar, Sahima Shrestha | E Major | 10 | 12B | 112 BPM | ||
| Fula Ta Fulyo Keshari | Bishwo Dong, Kajal Bomjan Tamang | E Minor | 9 | 9A | 90 BPM | ||
| Junko Sathi Tara - 2023 Remastered Version | Himal Shrestha, Trishala Gurung | E Major | 6 | 12B | 160 BPM | ||
| Jaha Chhan Buddha Kaa Aankha | Bhakta Raj Acharya | D Major | 4 | 10B | 83 BPM | ||
| Banma Phulyo Fullai Ful | Anju Panta | C Major | 7 | 8B | 146 BPM | ||
| Chautariko Bara | Basanta Thapa | E Major | 7 | 12B | 111 BPM | ||
| Taan Buna Shathi Ho | Ramesh Shrestha | D Major | 6 | 10B | 121 BPM | ||
| Pilayo Sathile | Shiva Pariyar | F Major | 8 | 7B | 119 BPM | ||
| Sirima Siri | Bakemono Gurung | D♭ Major | 1 | 3B | 144 BPM | ||
| Jhimkaideu Pareli | Ram Chandra Kafle, Junu Rijal | C Major | 9 | 8B | 128 BPM | ||
| Dhaulagiri | Ram Chandra Kafle | D♭ Major | 7 | 3B | 150 BPM | ||
| Lali Joban | Narayan Rayamajhi, Premraja Mahat, Komal oli | E♭ Major | 4 | 5B | 115 BPM | ||
| Man Ko Ekchhya | Anil Singh, Karna Das | G Major | 7 | 9B | 80 BPM | ||
| Gajalu Tika | Raju Lama-mongolian Heart | E Major | 7 | 12B | 147 BPM |