"Repercussions" by Daniel Dombrowsky had its release date on January 31, 2020. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 20 in Dark Deception: Chapter 4 (Original Soundtrack) by Daniel Dombrowsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Repercussions is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Repercussions by Daniel Dombrowsky is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breakfast Was Too Early | Akuma Kira | B Minor | 6 | 10A | 200 BPM | ||
| The Soft Light of Then | Hugo Long, Aidan Fitchett | C Major | 1 | 8B | 66 BPM | ||
| A Cross to Bear | Tom Salta | G Major | 3 | 9B | 79 BPM | ||
| Mabel It's Bill | Brad Breeck | D♭ Major | 5 | 3B | 134 BPM | ||
| The Duke | Shusaku Uchiyama | D♭ Major | 4 | 3B | 138 BPM | ||
| Cakequake! | Seth Parker | C Major | 2 | 8B | 118 BPM | ||
| Vanessa | The Newton Brothers | D Major | 0 | 10B | 78 BPM | ||
| Mutually Assured Destruction (The Razor II) | Brandon Boone | D♭ Major | 2 | 3B | 84 BPM | ||
| The Final Showdown | Nick Foster | G Major | 7 | 9B | 128 BPM | ||
| What Lies Beneath | Daniel Dombrowsky | D Major | 2 | 10B | 77 BPM | ||
| The Plot | AJ Dispirito | A♭ Minor | 7 | 1A | 95 BPM | ||
| Male Ward Chase | Samuel Laflamme | D♭ Major | 7 | 3B | 163 BPM | ||
| Buddies Chillin’ | AJ Dispirito | E Major | 0 | 12B | 71 BPM | ||
| Tragedy and Comedy - Hesitation | Leon Riskin | C Major | 5 | 8B | 175 BPM | ||
| All Is Forged Between Ink & Steel | Daniel Dombrowsky, Jonathan Ehlers | G Major | 0 | 9B | 76 BPM | ||
| The Path | Shusaku Uchiyama | B Minor | 2 | 10A | 70 BPM | ||
| I Seek | Joel Tumelty | G Major | 0 | 9B | 135 BPM | ||
| Theme For a Psychopath | Chamber of Screams, Clement Panchout | A Major | 0 | 11B | 80 BPM | ||
| Sleeping Studio | theMeatly | G Major | 0 | 9B | 78 BPM | ||
| Elevator Music - 8-bit | Allen Simpson | C Major | 3 | 8B | 163 BPM | ||
| It's Time to Leave | Daniel Dombrowsky | A Major | 10 | 11B | 140 BPM | ||
| Here Comes Trouble | Akuma Kira | D Minor | 8 | 7A | 120 BPM | ||
| Urban Darkness Part 08 | Bjørn Lynne | A♭ Major | 0 | 4B | 71 BPM | ||
| Shadow Leviathan | Ben Prunty | A♭ Major | 2 | 4B | 110 BPM | ||
| Saviour | River Boy | B♭ Major | 1 | 6B | 94 BPM |