Quatuor No. 5 in A Major: VI. Un peu gai by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura Song Details

On January 1, 2010, the song "Quatuor No. 5 in A Major: VI. Un peu gai" was released by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Quatuor No. 5 in A Major: VI. Un peu gai's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Telemann: Quatuors Parisiens". In this album, this song's track order is #12. In terms of popularity, Quatuor No. 5 in A Major: VI. Un peu gai is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Quatuor No. 5 in A Major: VI. Un peu gai by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -21.317 dB
Acousticness: 80%
Danceability: 75%
Energy: 17%
Instrumentalness: 0%
Liveness: 7%
Loudness: 64%
Speechiness: 6%
Valence: 85%

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