"Jonah" by Gareth Dickson had its release date on February 21, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Quite A Way Away". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Jonah is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jonah by Gareth Dickson having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| IIII | Ikotu | D Major | 2 | 10B | 118 BPM | ||
| Triste | zule | C Minor | 2 | 5A | 76 BPM | ||
| The Day Is Past and Gone (Variations) | Sarah Louise | F♯ Major | 4 | 2B | 110 BPM | ||
| Begin | Peter Broderick | D Major | 0 | 10B | 120 BPM | ||
| I Can See Your Tracks (Instrumental) | Laura Veirs | C Minor | 0 | 5A | 64 BPM | ||
| Riga Black | Chuck Johnson | F♯ Minor | 1 | 11A | 81 BPM | ||
| Saratoga | Phil Cook | G Major | 2 | 9B | 122 BPM | ||
| Lisboa | Six Organs Of Admittance | G Major | 1 | 9B | 143 BPM | ||
| Lutsen | Dead Man Winter | C Major | 1 | 8B | 75 BPM | ||
| Airs 18 | Loren Connors | B Major | 0 | 1B | 52 BPM | ||
| Fifth (The Impossibility of Death.) | Gareth Dickson | F Major | 0 | 7B | 137 BPM | ||
| I Want To Get Closer | T.T. Christensen | E♭ Major | 2 | 5B | 64 BPM | ||
| Sparks | Martyn Heyne | E Major | 0 | 12B | 94 BPM | ||
| Like a Clock | Gareth Dickson | F Major | 2 | 7B | 102 BPM | ||
| Minerals | Golden Brown | C Major | 2 | 8B | 105 BPM | ||
| Happy Easters | Gareth Dickson | C Major | 3 | 8B | 100 BPM | ||
| End of the Night | Marisa Anderson | D Major | 2 | 10B | 76 BPM | ||
| Speak, Memory | Danny Norbury | F♯ Major | 0 | 2B | 145 BPM | ||
| Emerald Ash | Golden Brown | D Major | 4 | 10B | 77 BPM | ||
| The Kirghiz Light | Golden Brown | C Major | 3 | 8B | 101 BPM | ||
| Departure | Holiday Flight | B Minor | 2 | 10A | 62 BPM | ||
| Siri Song / Reacquaint | William Ryan Fritch | F Major | 1 | 7B | 82 BPM | ||
| Us | Western Skies Motel | B♭ Minor | 3 | 3A | 157 BPM | ||
| Into Some Spirit World | Geotic | F Major | 1 | 7B | 130 BPM | ||
| Peter The Wild Boy | Happy Pastures | B Major | 3 | 1B | 157 BPM |