"A Sword Shatters To Pieces" by Kota Suzuki had its release date on March 20, 2019. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. A Sword Shatters To Pieces's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 136 in DEVIL MAY CRY 5 Original SoundTrack by Capcom Sound Team. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. A Sword Shatters To Pieces is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Sword Shatters To Pieces by Kota Suzuki is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Uninvited Guest | 大本望美 | B♭ Minor | 6 | 3A | 77 BPM | ||
| The Hunter | Nobuko Toda, Shuichi Kobori, Kazuma Jinnouchi | D♭ Major | 8 | 3B | 152 BPM | ||
| Sentient Tombs | Keith Power | G Major | 8 | 9B | 114 BPM | ||
| Desperate Ascent | Masami Ueda | D♭ Major | 4 | 3B | 138 BPM | ||
| A Man's Face Peeks Through The Robes | Kota Suzuki | G Major | 1 | 9B | 68 BPM | ||
| The Chloroplast of Cosmarium | Stuart Chatwood | D♭ Major | 8 | 3B | 140 BPM | ||
| ”Two of them. One for each of us!” - El Gigante | 大本望美 | F♯ Major | 8 | 2B | 85 BPM | ||
| FFVII REMAKE: The Shinra Building | 植松 伸夫 | D♭ Major | 4 | 3B | 100 BPM | ||
| Exposing Hostile | Valve | F♯ Major | 2 | 2B | 117 BPM | ||
| A World with No Lies | Lies of P | A Minor | 2 | 8A | 71 BPM | ||
| Betrayal - Phoenix Gate | 祖堅 正慶 | B♭ Minor | 8 | 3A | 79 BPM | ||
| NANCY again | TEKKEN Project, Bandai Namco Game Music | D♭ Major | 7 | 3B | 146 BPM | ||
| Severance Combat | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Grakata | Keith Power | B Minor | 7 | 10A | 117 BPM | ||
| Evil Eye - HR Remix | 講本一郎 | G Major | 9 | 9B | 153 BPM | ||
| Bring Her Back to Me | Ron Fish | B♭ Minor | 7 | 3A | 124 BPM | ||
| Armor Spider | SIE Sound Team | F Minor | 6 | 4A | 113 BPM | ||
| Kinslayer | 今村 貴文 | B Minor | 1 | 10A | 140 BPM | ||
| Driven and Drowned | Rotem Moav | D Major | 5 | 10B | 128 BPM | ||
| Cargo High | Joel Corelitz | A Major | 9 | 11B | 126 BPM | ||
| Takin' On The Shagohod | Norihiko Hibino | E♭ Minor | 8 | 2A | 130 BPM | ||
| The Qliphoth (Prologue) | Kota Suzuki | B Minor | 3 | 10A | 135 BPM | ||
| Drums from Hell | Kota Suzuki | C Minor | 6 | 5A | 105 BPM | ||
| Vor's Prize | Keith Power | C Major | 4 | 8B | 100 BPM | ||
| Limveld | Tai Tomisawa | A Major | 6 | 11B | 167 BPM |