Nospūn's ' "Back, Yet Forward" was released on its scheduled release date, May 19, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Opus". In this album, this song's track order is #10. Back, Yet Forward is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Back, Yet Forward by Nospūn having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anima | Distorted Harmony | F♯ Major | 10 | 2B | 117 BPM | ||
| Glitch | Kingcrow | C Major | 5 | 8B | 148 BPM | ||
| Taurus | Haken | B Major | 8 | 1B | 152 BPM | ||
| He is number 4 | PreHistoric animals | F Major | 6 | 7B | 144 BPM | ||
| This Conversation Is Over | Toehider | D♭ Minor | 6 | 12A | 92 BPM | ||
| Lost Continent (feat. Thomas Giles) | Tiktaalika, Charlie Griffiths, Thomas Giles | E Minor | 10 | 9A | 148 BPM | ||
| The Journey | Darkwater | F♯ Minor | 9 | 11A | 130 BPM | ||
| Bite the Wound (Ash Memory Part III) | Wilderun | B♭ Major | 10 | 6B | 100 BPM | ||
| Life of Vermin | Thank You Scientist | G Major | 10 | 9B | 168 BPM | ||
| Enter | VOLA | F♯ Minor | 9 | 11A | 190 BPM | ||
| The Wake | DGM | G Major | 8 | 9B | 130 BPM | ||
| Silken Chains | Richard Henshall, David Maxim Micic | F♯ Major | 6 | 2B | 148 BPM | ||
| Spaceflight Dementia | Parius | G Major | 7 | 9B | 80 BPM | ||
| Skinwalker | Artificial Language | G Major | 9 | 9B | 120 BPM | ||
| Fading Out (Part IV) | Kingcrow | D Major | 7 | 10B | 109 BPM | ||
| Stillness Is Timeless | Persefone | G Major | 10 | 9B | 65 BPM | ||
| The Final Threshold | Jordan Rudess | E Minor | 7 | 9A | 92 BPM | ||
| The Way Down | Exploring Birdsong | E Minor | 8 | 9A | 125 BPM | ||
| Distraction I | Wilderun | G Major | 8 | 9B | 140 BPM | ||
| Insomnia | Darkwater | B Minor | 9 | 10A | 82 BPM | ||
| In Alluvium | Charlie Griffiths | G Minor | 8 | 6A | 115 BPM | ||
| Contaminate Me (feat. Ihsahn) | Leprous, Ihsahn | D♭ Minor | 8 | 12A | 162 BPM | ||
| Pressure | Rendezvous Point | F♯ Minor | 8 | 11A | 69 BPM | ||
| The Dazzling Darkness | Drop Tuned | E Minor | 8 | 9A | 105 BPM | ||
| A Reverie to Quell the Giants | Others by No One | B♭ Major | 9 | 6B | 109 BPM |