"Tardecita Campera" by Orchestra Tipica Argentina (Dir. Donato Racciatti) had its release date on July 6, 2010. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Tardecita Campera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Tango Argentino - Platinum Collection 3". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. In terms of popularity, Tardecita Campera is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tardecita Campera by Orchestra Tipica Argentina (Dir. Donato Racciatti) having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Firulete | Francisco Canaro, Quinteto Pirincho | A Major | 6 | 11B | 87 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| Orillas Del Plata | Juan D'Arienzo y su Orquesta Típica | E Minor | 4 | 9A | 106 BPM | ||
| Larga las Penas | Francisco Canaro | F♯ Major | 3 | 2B | 83 BPM | ||
| Nochero Soy | Sexteto Tango | A Minor | 4 | 8A | 111 BPM | ||
| Alma De Bandoneon | Francisco Canaro | D♭ Major | 2 | 3B | 121 BPM | ||
| Pena gaucha | Orquesta Roberto Firpo, Carlos Varela, Enrique Forte, Armando Acquarone, Rafael José Velich | C Major | 2 | 8B | 78 BPM | ||
| Entre Pitada Y Pitada | Carlos Di Sarli, Alberto Podestá | A Minor | 5 | 8A | 103 BPM | ||
| Mano A Mano | Orchestra Tipica Argentina (Dir. Donato Racciatti) | G Major | 3 | 9B | 133 BPM | ||
| Mirame en la Cara | Juan D'Arienzo, Héctor Mauré | D Minor | 2 | 7A | 121 BPM | ||
| Rebeldía | Osmar Maderna | C Minor | 2 | 5A | 124 BPM | ||
| Cielo | Rodolfo Biagi | D Minor | 2 | 7A | 121 BPM | ||
| Para Ti Madre | Los Solistas, Alberto Echagüe | D♭ Minor | 5 | 12A | 138 BPM | ||
| Humillacion | Tango Bardo, Roberto Minondi | G Minor | 5 | 6A | 143 BPM | ||
| El taita - Raza criolla | Orquesta Fulvio Salamanca | B♭ Minor | 4 | 3A | 126 BPM | ||
| En Tus Ojos de Cielo | Miguel Caló | D Major | 3 | 10B | 130 BPM | ||
| A La Gran Muñeca | Orquesta Tipica Buenos Aires | D Minor | 3 | 7A | 120 BPM | ||
| Mañana Ire Temprano | Rubén Juárez, Leopoldo Federico | C Minor | 3 | 5A | 120 BPM | ||
| Mala Junta | Típica Messiez, Emiliano Messiez, Quique Guerra | C Major | 5 | 8B | 114 BPM | ||
| Esquinas Porteñas | Angel D'Agostino, Ángel Vargas | D Minor | 2 | 7A | 121 BPM | ||
| Por Eso Canto Yo | Ricardo Tanturi, Enrique Campos | D Minor | 2 | 7A | 121 BPM | ||
| Chers Milonga | Juan D'Arienzo | B♭ Minor | 5 | 3A | 109 BPM | ||
| Bien Porteña | Los Reyes Del Tango | C Major | 5 | 8B | 128 BPM | ||
| Luna de arrabal - Estilo Ricardo Tanturi | SEXTETO VISCERAL | E Major | 4 | 12B | 98 BPM | ||
| Negrito | The Alex Krebs Tango Sextet | E Major | 4 | 12B | 98 BPM |