Ryan McNulty's 'Charing Cross' had a release date set for July 4, 2017. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ryan McNulty's "Morning Always Came Too Soon" album is number 4 out of 4. On top of that, United States appears to be the country where this track was created. Charing Cross is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Charing Cross by Ryan McNulty to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Somewhere in the Mountains, Somewhere in New York | The Tallest Man On Earth | F♯ Major | 3 | 2B | 142 BPM | ||
| Palmer Street | David Zincke | G Major | 3 | 9B | 99 BPM | ||
| Don't Doubt | Blind Pilot | C Major | 3 | 8B | 110 BPM | ||
| I Can Take It | Jake Etheridge | F Major | 2 | 7B | 126 BPM | ||
| Your Loving Soul | James Forest | F♯ Major | 0 | 2B | 77 BPM | ||
| All the Beds I've Made (Acoustic) | Caroline Spence | D Major | 2 | 10B | 90 BPM | ||
| Heartless - Mahogany Sessions | Seafret, Mahogany | D♭ Major | 2 | 3B | 162 BPM | ||
| Suitcase Heart | Tyler Cain | A♭ Major | 3 | 4B | 123 BPM | ||
| Sleepy Head | Toby Johnson | G Major | 4 | 9B | 52 BPM | ||
| Phone Call from My Lover | Stu Larsen | D♭ Major | 3 | 3B | 84 BPM | ||
| Lovely | William Fitzsimmons | C Major | 1 | 8B | 83 BPM | ||
| Water Into Wine | Bradley Stone | E♭ Major | 1 | 5B | 64 BPM | ||
| Temple - Acoustic Version | Matthew And The Atlas | A♭ Major | 3 | 4B | 76 BPM | ||
| Make It Me | Max Gomez | C Major | 5 | 8B | 79 BPM | ||
| Long Lost Century | The Woodlands | F♯ Major | 1 | 2B | 132 BPM | ||
| Alone | Plàsi | D♭ Major | 2 | 3B | 142 BPM | ||
| Nothing Left to Lose | FIELDS | B Major | 2 | 1B | 138 BPM | ||
| I Am Not in Love Anymore | Liza Anne | E Minor | 6 | 9A | 88 BPM | ||
| That's Life | Anna Rune | F♯ Major | 4 | 2B | 141 BPM | ||
| Milk White Air | J. Tillman | F Major | 1 | 7B | 104 BPM | ||
| The Black Tree (with Lydia Cole) | Stu Larsen | E Major | 1 | 12B | 138 BPM | ||
| Birdsong | George Ogilvie | B♭ Major | 2 | 6B | 114 BPM | ||
| Coming Home | Jarle Skavhellen | C Major | 4 | 8B | 115 BPM | ||
| To the Brim | Jennifer Kamikazi | B Major | 1 | 1B | 83 BPM | ||
| Southern Wild | Honeywater | C Major | 1 | 8B | 141 BPM |