"再起" by 10-FEET had its release date on May 31, 2023. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 『THE FIRST SLAM DUNK』 (オリジナルサウンドトラック), so we believe that "再起" is a single. In terms of popularity, 再起 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 再起 by 10-FEET is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夢追いランナー | Kei Yoshikawa | G Major | 4 | 9B | 132 BPM | ||
| Rhythm And Police | Akihiko Matsumoto | A Major | 10 | 11B | 141 BPM | ||
| 帰郷 | 武部聡志 | A Minor | 0 | 8A | 105 BPM | ||
| ハレルヤフラッシュ | Kei Yoshikawa | F Major | 2 | 7B | 102 BPM | ||
| 大人の青春 | Hideakira Kimura | G Major | 4 | 9B | 140 BPM | ||
| 悲しみのその先に | Go Sakabe | E Major | 2 | 12B | 124 BPM | ||
| Vague Shadow | 村山☆潤 | G Minor | 7 | 6A | 170 BPM | ||
| everydayLV.0 | Sawano Hiroyuki | G Minor | 9 | 6A | 131 BPM | ||
| Cold-Blooded Power | Masaru Yokoyama | A Major | 5 | 11B | 134 BPM | ||
| Spatial Awareness | 村山☆潤 | D Major | 8 | 10B | 119 BPM | ||
| Life is -TOUSHI- | SEGA SOUND TEAM, Hyd Lunch | F Minor | 10 | 4A | 133 BPM | ||
| ふたりの距離 | Kenichiro Suehiro | A Minor | 8 | 8A | 85 BPM | ||
| カオス理論 | 羽岡 佳 | D Minor | 6 | 7A | 110 BPM | ||
| We Are! | Sonya Belousova, Giona Ostinelli | A Major | 7 | 11B | 124 BPM | ||
| Gearheads | Wilbert Roget, II | B♭ Minor | 1 | 3A | 83 BPM | ||
| Unicorn | Hiroyuki Sawano | A Minor | 8 | 8A | 105 BPM | ||
| Under Pressure Again | Hiroaki Tsutsumi | E Major | 2 | 12B | 117 BPM | ||
| 晴れの日に雨傘さす奴には御用心 | Audio Highs | B♭ Major | 5 | 6B | 156 BPM | ||
| オレンジ - Instrumental | SPYAIR | G Major | 9 | 9B | 97 BPM | ||
| 侍ジャパン公式アンセム~結束~ | Yasuharu Takanashi | D Major | 7 | 10B | 135 BPM | ||
| 鎌倉のために | Evan Call | B♭ Major | 1 | 6B | 142 BPM | ||
| JITSURYOKU HA ELITE | Kenji Kawai | A Minor | 9 | 8A | 143 BPM | ||
| 月の輪 | Asami Tachibana | B♭ Major | 9 | 6B | 106 BPM | ||
| 烈火 | Akihiko Matsumoto | E Minor | 6 | 9A | 71 BPM | ||
| Last Man - Main Theme | mouse on the keys | E Minor | 10 | 9A | 165 BPM |