Justin Rubin, Alyssa Anderson, Joseph Spoelstra's 'Ultima Verba: I. Ultima Verba' had a release date set for February 2, 2018. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Ultima Verba: I. Ultima Verba's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Justin Rubin, Various Artists's "Justin Rubin: Variations of Life & Loss" album is number 4 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Ultima Verba: I. Ultima Verba's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ultima Verba: I. Ultima Verba by Justin Rubin, Alyssa Anderson, Joseph Spoelstra to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| Love Figures Floating: I. …Amongst the Stars in a Cloudless Night | Justin Rubin, James Pellerite, Lindsey McLennan, Amanda Russo, Dominick DiOrio | B Major | 1 | 1B | 90 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Bagatelles: I. Tiento de baxon (Bass Toccata) | Justin Rubin, Jefferson Campbell, Gene Koshinski | B Minor | 2 | 10A | 108 BPM | ||
| Modern chorusmusic: Lux Aeterna | György Ligeti, Helmut Franz, Chor des Norddeutschen Rundfunks | A Minor | 1 | 8A | 66 BPM | ||
| Turangalîla Symphonie: 5. Joie du sang des étoiles | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E♭ Minor | 5 | 2A | 121 BPM | ||
| Asteroid 4179 - Toutatis | Kaija Saariaho, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 1 | 9A | 111 BPM | ||
| the little match girl passion: penance and remorse | David Lang, Theatre Of Voices, Paul Hillier | D♭ Major | 0 | 3B | 117 BPM | ||
| Tabula Rasa: Ludus | Arvo Pärt, Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | G Major | 3 | 9B | 76 BPM | ||
| Akhnaten: Act III, Scene 3: The Ruins | Philip Glass, Dennis Russell Davies, David Warrilow, Stuttgart State Opera Orchestra, Chor der Staatsoper Stuttgart | F Major | 2 | 7B | 80 BPM | ||
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Ligeti : Romanian Concerto : IV Molto vivace | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 2 | 7B | 96 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Lamentate: II. Spietato | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | E Major | 5 | 12B | 72 BPM | ||
| Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Les Noces, Première partie, Premier tableau: Le départ de la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | B♭ Major | 1 | 6B | 153 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | D Minor | 0 | 7A | 97 BPM | ||
| Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
| the little match girl passion: when it is time for me to go | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 78 BPM | ||
| String Quartet, M. 35: I. Allegro moderato, très doux | Maurice Ravel, Quartetto Italiano | D Major | 2 | 10B | 89 BPM | ||
| Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | A♭ Major | 2 | 4B | 88 BPM | ||
| Piano Album 2008: No. 5, Chiaramente, con poco rubato | Justin Rubin, Matthew McCright | E♭ Major | 0 | 5B | 128 BPM |