Manon, Act II: Adieu, notre petite table by Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras Song Details

"Manon, Act II: Adieu, notre petite table" by Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras had its release date on January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Renée Fleming". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Manon, Act II: Adieu, notre petite table is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Manon, Act II: Adieu, notre petite table by Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -25.454 dB
Acousticness: 99%
Danceability: 31%
Energy: 6%
Instrumentalness: 22%
Liveness: 10%
Loudness: 58%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E♭ Major	1	5B	110 BPM
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm	Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra	D Minor	0	7A	89 BPM
Berceuse in D-Flat Major, Op. 57	Frédéric Chopin, Benjamin Grosvenor	B Major	2	1B	122 BPM
Satie: Gnossiennes: IV. Lent	Erik Satie, Hélène Grimaud	C Major	0	8B	96 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725)	Gottfried Heinrich Stölzel, Daniil Trifonov	E♭ Major	0	5B	133 BPM
Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman)	Christoph Willibald Gluck, Joseph Banowetz	A Major	0	11B	72 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
Prelude in B minor	Johann Sebastian Bach/Alexander Siloti, James Rhodes	B Minor	1	10A	114 BPM
Ladies In Lavender - Main Theme - (Ladies in Lavender)	Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	D Major	2	10B	87 BPM
Mascagni: Cavalleria rusticana: Intermezzo	Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra	F Major	1	7B	85 BPM
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	D Major	1	10B	125 BPM
10 Pièces de genre, Op. 10: No. 5, Mélodie	Jules Massenet, Richard Uttley	E Minor	0	9A	98 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky)	Johann Sebastian Bach, Mischa Maisky, Lily Maisky	B♭ Major	3	6B	139 BPM
Oboe Concerto in D Minor, S. Z799: II. Adagio	Alessandro Marcello, Marcel Ponseele, Il Gardellino	D♭ Minor	1	12A	74 BPM
Largo from 'Xerxes'	George Frideric Handel, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Riga Radio Choir	G Major	1	9B	170 BPM
Sicilienne, Op. 78	Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva	G Minor	1	6A	123 BPM
Barber: Adagio for Strings, Op. 11	Samuel Barber, Philadelphia Orchestra, Eugene Ormandy	B♭ Minor	1	3A	80 BPM
Cendrillon: Ah! Que mes soeurs sont heureuses!	Jules Massenet, Frederica von Stade, Julius Rudel, Philharmonia Orchestra	D Minor	0	7A	85 BPM
Gnossiennes: No. 1 Lent	Erik Satie, Alice Sara Ott	C Minor	0	5A	141 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee	F Major	1	7B	147 BPM
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge	Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo	A Minor	5	8A	95 BPM
Elegie	Jules Massenet, Christian-Pierre La Marca	E Minor	0	9A	73 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM