David Slusser, Ralph Carney, Chris Ackerman, Bill Fairbanks's 'Howard Street' had a release date set for November 6, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rubber City". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Howard Street is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Howard Street by David Slusser, Ralph Carney, Chris Ackerman, Bill Fairbanks having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Llareggub | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Narrow Escape | The Orchestra of Mirrored Reflections | B♭ Minor | 3 | 3A | 140 BPM | ||
| The Kicker | Bobby Hutcherson | F Minor | 4 | 4A | 120 BPM | ||
| Catch the A Train in Snow | Miltons soul | C Minor | 2 | 5A | 177 BPM | ||
| Morgana | Piero Piccioni | F♯ Major | 2 | 2B | 118 BPM | ||
| Down In the Mine | David Slusser | G Major | 3 | 9B | 146 BPM | ||
| A Ghost Of A Chance | Dizzy Reece | C Major | 2 | 8B | 104 BPM | ||
| Leapin' on Lenox | Eddie "Lockjaw" Davis | D♭ Major | 4 | 3B | 120 BPM | ||
| The Wrinkle | Bob Brookmeyer | A Minor | 3 | 8A | 99 BPM | ||
| Harlequin | John Lewis | C Minor | 2 | 5A | 111 BPM | ||
| Sicks Of Us | Shelly Manne | G Minor | 2 | 6A | 139 BPM | ||
| Early Mornin' Boogie | Slim Gaillard | F Major | 5 | 7B | 149 BPM | ||
| Ten Nights | Jamie Saft, Steve Swallow, Bobby Previte | F Minor | 6 | 4A | 81 BPM | ||
| ENOUGH | Noé Huchard | C Major | 3 | 8B | 81 BPM | ||
| Airport | TransferX | D♭ Minor | 2 | 12A | 130 BPM | ||
| Crosstown Line | Kenneth James Trio | F Minor | 5 | 4A | 136 BPM | ||
| Hear Me Talkin' To Ya | Cannonball Adderley | F Major | 3 | 7B | 101 BPM | ||
| To Pianist Cecil Taylor | Anthony Braxton | E♭ Major | 3 | 5B | 85 BPM | ||
| Siince I Fell for You | Austyn Ziemann | C Major | 1 | 8B | 184 BPM | ||
| Powerful Paul Robeson | Clifford Jordan | F Minor | 3 | 4A | 89 BPM | ||
| The Job | Daniel Diaz | F Major | 3 | 7B | 148 BPM | ||
| Calm After the Rush | The Jazzlight Trio | F Minor | 5 | 4A | 136 BPM | ||
| Absinthe | Duke Ellington Orchestra | D♭ Major | 3 | 3B | 114 BPM | ||
| Down For Double | Freddie Green | G Minor | 5 | 6A | 207 BPM | ||
| After | Vallea | D♭ Major | 2 | 3B | 140 BPM |