Richard Pleasance's ' "We Serve to Correct" was released on its scheduled release date, April 14, 2015. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wentworth (Original Score), Vol.V1 by Richard Pleasance. The song's track number on the album is #7 out of 24 tracks. Based on our data, Australia was the country where this track was produced or recorded. We Serve to Correct is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since We Serve to Correct by Richard Pleasance has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With We Serve to Correct being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roam | Broken Twin | B♭ Minor | 2 | 3A | 85 BPM | ||
| Tomorrow is a Chance to Start Over (song) | Hilary Grist | E♭ Major | 3 | 5B | 80 BPM | ||
| Bones | Mel Parsons | G Minor | 4 | 6A | 114 BPM | ||
| We Light Fire | Julia Deans | G Major | 3 | 9B | 90 BPM | ||
| Ghost in the Machine | The Fire and the Sea | C Major | 3 | 8B | 160 BPM | ||
| Our Last Fight | Scala & Kolacny Brothers | C Major | 2 | 8B | 144 BPM | ||
| Candy | The Venice Connection | G Major | 4 | 9B | 150 BPM | ||
| Alabama Broke | Damien Jurado | G Major | 5 | 9B | 120 BPM | ||
| Push Me | Geno Lenardo, Ash Costello | C Minor | 8 | 5A | 123 BPM | ||
| On the Moon | Corday | E Minor | 9 | 9A | 140 BPM | ||
| Cut The Rope | Charlotte OC | A Minor | 7 | 8A | 73 BPM | ||
| The Darkest Places | Le Bon | D♭ Minor | 6 | 12A | 176 BPM | ||
| The Journey | Atticus Ross | B♭ Minor | 3 | 3A | 90 BPM | ||
| Tomorrow Wendy | Andy Prieboy | E♭ Major | 2 | 5B | 91 BPM | ||
| Breath | Ex Makina | B Major | 6 | 1B | 97 BPM | ||
| Black Smoke | Emily Wurramara | G Major | 4 | 9B | 121 BPM | ||
| Lost Girl Theme Song (feat. Emilie Mover) | Lost Girl, Emilie Mover | A Minor | 6 | 8A | 124 BPM | ||
| Devils Song | Big Pig | D Major | 4 | 10B | 83 BPM | ||
| Gather up the Devils (feat. Masha) | Steve Lynch, Masha | B♭ Major | 5 | 6B | 180 BPM | ||
| Burning Up | Adalita | B Minor | 5 | 10A | 143 BPM | ||
| Ejecta | Death Vessel | A Minor | 4 | 8A | 91 BPM | ||
| Weight | Lee DeWyze | C Major | 2 | 8B | 123 BPM | ||
| 60% | Alice Skye | C Major | 2 | 8B | 144 BPM | ||
| Finally | No Mono, Tom Snowdon, Tom Iansek | A Minor | 4 | 8A | 85 BPM | ||
| Sabotage | Amy Stroup | F Major | 4 | 7B | 94 BPM |