On October 23, 2020, the song "Leave the Neon Light On" was released by Terry McBride. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Rebels & Angels". In this album, this song's track order is #9. Based on our statistics, Leave the Neon Light On's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Leave the Neon Light On by Terry McBride having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miles Between My Mistakes | Mason-Taylor | A Major | 5 | 11B | 160 BPM | ||
| Cowboy Girl | Jason Cassidy | G Major | 8 | 9B | 112 BPM | ||
| Can't Get Back | Clay Hollis | E Major | 7 | 12B | 90 BPM | ||
| Everywhere I Need to Be | Hayden Haddock | F Major | 7 | 7B | 110 BPM | ||
| Absolutely Gone | Wyatt Massingille | F Major | 4 | 7B | 89 BPM | ||
| Milky Madness | Meroy Harriman | E Minor | 6 | 9A | 103 BPM | ||
| Midnight in Arkham | The Cthulhu Country Band | E Minor | 3 | 9A | 128 BPM | ||
| One Night Stand | Jon Stork | E♭ Major | 8 | 5B | 148 BPM | ||
| Over Him | Tanner Fenoglio | G Major | 7 | 9B | 111 BPM | ||
| Lonestar Lonesome | Kin Faux | G Major | 7 | 9B | 85 BPM | ||
| I Just Can't Quit Loving You | Owen Temple | C Major | 7 | 8B | 90 BPM | ||
| That's Why God Made Me | Daryle Singletary | C Major | 6 | 8B | 78 BPM | ||
| That's Just Me | Hayden Coffman | A Major | 9 | 11B | 128 BPM | ||
| Every Damn Time | Drew Fish Band, Pam Tillis | E Major | 6 | 12B | 134 BPM | ||
| Texas Talkin' | Todd Fritsch | F Major | 7 | 7B | 87 BPM | ||
| If These Walls Could Talk | Jake Bush | E♭ Major | 3 | 5B | 130 BPM | ||
| Her Miss Me Days Are Gone | Randall King | G Major | 8 | 9B | 139 BPM | ||
| Bluff Harbour Lights | Doctor Krarly | D♭ Major | 5 | 3B | 145 BPM | ||
| Old Stuff Better | Mo Pitney | A Major | 5 | 11B | 71 BPM | ||
| American Steel | Rich O'Toole | D Major | 3 | 10B | 68 BPM | ||
| Rodeo Blues | Jon Stork, Leroy Gibbons | E Major | 8 | 12B | 127 BPM | ||
| She Don't Go to Church | Mark Leach | D♭ Major | 7 | 3B | 159 BPM | ||
| Power of Garth | Lucas Hoge | A♭ Major | 7 | 4B | 146 BPM | ||
| Pretty Reckless | Houston Bernard | A Major | 5 | 11B | 160 BPM | ||
| Sunday Mornin' Kind of Town | Daryle Singletary | D Major | 7 | 10B | 100 BPM |