"The Way We Used To Be" by Alex Bugnon had its release date on June 1, 1993. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 12 in the song's album "This Time Around". In this album, this song's track order is #7. The Way We Used To Be is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Way We Used To Be by Alex Bugnon having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do You Feel What I'm Feeling? | Warren Hill | B♭ Minor | 6 | 3A | 93 BPM | ||
| Midnight in San Juan | Earl Klugh | G Minor | 5 | 6A | 120 BPM | ||
| Summer Nights | Jazz Holdouts | G Major | 7 | 9B | 122 BPM | ||
| Bridges | Cal Harris Jr. | A♭ Major | 4 | 4B | 104 BPM | ||
| Forever Grey | Dave Bradshaw Jr. | D♭ Major | 7 | 3B | 105 BPM | ||
| Alfonzo's Love Theme | Alfonzo Blackwell | F Minor | 7 | 4A | 80 BPM | ||
| Chocolate for Breakfast - Radio Single | Blair Bryant | B♭ Major | 6 | 6B | 101 BPM | ||
| Just Chillin' | Norman Brown | A Minor | 7 | 8A | 82 BPM | ||
| Masques | Philippe Saisse | E Minor | 6 | 9A | 92 BPM | ||
| Mercy Mercy Me | Jeff Golub | E Major | 6 | 12B | 97 BPM | ||
| How 'Bout That | Kevin Toney | A Minor | 8 | 8A | 110 BPM | ||
| Elixir | Pamela Williams | F Minor | 6 | 4A | 202 BPM | ||
| Dilemma | Kevin Toney | F Major | 8 | 7B | 84 BPM | ||
| All Jazzed Up (And Nowhere To Go) | Everette Harp | F Major | 6 | 7B | 176 BPM | ||
| Dasheen | Alex Bugnon | E Minor | 5 | 9A | 148 BPM | ||
| So Cool | Doc Powell | B Minor | 5 | 10A | 170 BPM | ||
| When I Think Of You | Everette Harp | C Minor | 6 | 5A | 92 BPM | ||
| Lasting Impression | James Vargas | D Minor | 6 | 7A | 91 BPM | ||
| Have Your Cake And Eat It | Chris Standring | G Minor | 5 | 6A | 106 BPM | ||
| Velvet Groove | Eric Valentine | F♯ Major | 7 | 2B | 95 BPM | ||
| Groove City | LeBron | F Minor | 8 | 4A | 103 BPM | ||
| Summer Groove | Tim Bowman | G Major | 8 | 9B | 93 BPM | ||
| Full Bloom | Kayla Waters | B♭ Minor | 7 | 3A | 108 BPM | ||
| Here We Go Again | Bobby Lyle | G Major | 8 | 9B | 103 BPM | ||
| Can't Help It | Phillip Doc Martin | F Minor | 5 | 4A | 88 BPM |