Amy London's 'Bridges (Travessia)' had a release date set for November 17, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 15 in Bridges by Amy London. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Bridges (Travessia) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bridges (Travessia) by Amy London is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sweetest Sound | Judy Niemack, Kenny Barron | C Major | 1 | 8B | 82 BPM | ||
| Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM | ||
| How Lovely to Be a Woman | Veronica Swift | D♭ Major | 3 | 3B | 133 BPM | ||
| I'm In Love With You | Pamela Levy | E Minor | 5 | 9A | 106 BPM | ||
| In the Gloaming | The Story | F Major | 0 | 7B | 108 BPM | ||
| Spes | Mia Makaroff, Nils-Aslak Valkeapää, Cantus, Tove Ramlo-Ystad | G Major | 1 | 9B | 78 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| Harold's House of Jazz | Groove For Thought | B♭ Major | 3 | 6B | 180 BPM | ||
| Bobby's Shoes | Mju Vocal | B Minor | 3 | 10A | 73 BPM | ||
| Here, There and Everywhere | Lina Nyberg, Esbjörn Svensson | A Major | 0 | 11B | 136 BPM | ||
| There's a Boat That's Leavin' Soon | Amy London, John Hicks, Lee Musiker, Roni Ben-Hur, Rufus Redi | B♭ Minor | 5 | 3A | 127 BPM | ||
| Iloa illalle käestä | Ruamjai | F♯ Minor | 0 | 11A | 88 BPM | ||
| Fader vår | Mju Vocal, H+N | D Major | 1 | 10B | 86 BPM | ||
| sanchi | PAYARUKPA | F♯ Minor | 0 | 11A | 88 BPM | ||
| Groovin' Hard | Groove For Thought, Rosana Eckert | F Minor | 3 | 4A | 125 BPM | ||
| Beyond The Rainbow | Veronica Mortensen | B♭ Minor | 4 | 3A | 87 BPM | ||
| Rotā | Latvian Voices, Laura Jēkabsone | G Major | 2 | 9B | 101 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 0 | 8B | 88 BPM | ||
| Five Flower Songs: The Evening Primrose - studio | The Sixteen | B Major | 0 | 1B | 139 BPM | ||
| God With Us | Tina Lloyd-Morris | F♯ Major | 2 | 2B | 80 BPM | ||
| Getting to Know You | Veronica Swift | F Major | 3 | 7B | 131 BPM | ||
| Trilo (Arr. B. Ollén) | Traditional, Sofia Vokalensemble, Bengt Ollen | E♭ Major | 0 | 5B | 95 BPM | ||
| Street of Dreams | Emmalisa Hallander, Filip Ekestubbe, Niklas Fernqvist, Henrik Jäderberg, Peter Asplund | B♭ Major | 0 | 6B | 57 BPM | ||
| September | Mediæval Bæbes | F♯ Minor | 0 | 11A | 88 BPM | ||
| Court And Spark | Herbie Hancock, Norah Jones | C Minor | 3 | 5A | 87 BPM |