"古風なメヌエット" by モーリス・ラヴェル, 永野英樹 had its release date on May 19, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 夜のガスパール 〜ラヴェル作品集, so we believe that "古風なメヌエット" is a single. 古風なメヌエット is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 古風なメヌエット by モーリス・ラヴェル, 永野英樹 is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ワルツ 第6番 変ニ長調 作品64-1 「小犬のワルツ」 | Kai Ichinose | D♭ Major | 0 | 3B | 70 BPM | ||
| monday by smile | Shinya Kiyozuka | F♯ Major | 0 | 2B | 135 BPM | ||
| ユーモレスク | Antonín Dvořák, Yuko Mifune | F Minor | 2 | 4A | 85 BPM | ||
| 前奏曲ト短調 作品23の5(ラフマニノフ) | Sergei Rachmaninoff, Keisuke Toyama | E♭ Major | 1 | 5B | 116 BPM | ||
| ショパン: 幻想即興曲 嬰ハ短調 作品66 | Kai Ichinose | D♭ Major | 1 | 3B | 67 BPM | ||
| 行進曲「威風堂々」作品39 第1番二長調 | Edward Elgar, Sir Charles Groves, フィルハーモニア管弦楽団 | F Minor | 2 | 4A | 146 BPM | ||
| 愛のよびかけ (愛の挨拶)作品12 | Edward Elgar, 藤原真理, アラン・プラネス | D Major | 1 | 10B | 105 BPM | ||
| ラ・カンパネッラ | Niccolò Paganini, ヨゼフ・ハーラ, 石川静 | B Minor | 1 | 10A | 127 BPM | ||
| 楽興の時 第3番 ヘ短調 | Franz Schubert, イリーナ・メジューエワ | F Minor | 0 | 4A | 187 BPM | ||
| アヴェ・マリア(シューベルト) | Franz Schubert, 幸田聡子, Chika Nishiwaki | C Major | 1 | 8B | 88 BPM | ||
| エリーゼのために(ベートーヴェン) | Ludwig van Beethoven, Shinya Kiyozuka | F Major | 0 | 7B | 68 BPM | ||
| 即興曲 変ト長調 作品90の3 | Franz Schubert, デジュー・ラーンキ | F♯ Major | 0 | 2B | 80 BPM | ||
| スクリャービン:エチュード 嬰ニ短調 作品8-12 | Alexander Scriabin, 四月は君の嘘 僕と君との音楽帳 | E Major | 3 | 12B | 103 BPM | ||
| サン=サーンス:序奏とロンド・カプリチオーソ | Camille Saint-Saëns, 四月は君の嘘 僕と君との音楽帳 | B♭ Major | 3 | 6B | 200 BPM | ||
| 水の戯れ - (ラヴェル) | Maurice Ravel, Nobuyuki Tsujii | A Major | 1 | 11B | 74 BPM | ||
| Lieder ohne Worte, Op. 53: 3. Presto agitato | Felix Mendelssohn, András Schiff | G Minor | 2 | 6A | 102 BPM | ||
| 泉のほとりで(巡礼の年 第1年「スイス」 S.160-4)(リスト) | Franz Liszt, Fujiko Hemming | A♭ Major | 1 | 4B | 73 BPM | ||
| ベートーヴェン: ピアノ・ソナタ 第14番 嬰ハ短調 作品27-2 「月光」〜第1楽章 | Kai Ichinose | D♭ Minor | 0 | 12A | 128 BPM | ||
| Vremena goda, Op. 67: XV. Allegro | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | F Major | 2 | 7B | 121 BPM | ||
| ガーシュイン:ラプソディ・イン・ブルーより | George Gershwin, のだめカンタービレ | E Major | 2 | 12B | 68 BPM | ||
| シャコンヌ | Johann Sebastian Bach, Ferruccio Busoni, Yukio Yokoyama | A♭ Major | 3 | 4B | 78 BPM | ||
| ワルツエチュード | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM | ||
| エチュード 第1番 変イ長調 「エオリアン・ハープ」作品25-1 | Fujiko Hemming | A♭ Major | 1 | 4B | 84 BPM | ||
| 展覧会の絵(キエフの大門) - Nobuyuki Tsujii Carnegie Hall debut Live | Nobuyuki Tsujii | B Minor | 1 | 10A | 94 BPM | ||
| 愛の挨拶 | Edward Elgar, Mariko Senju, 山洞 智 | A Major | 1 | 11B | 80 BPM |