"Sonata a tre in D Major, WoO 7: IV. Allegro" by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Frank Wakelkamp, David Van Ooijen, Pieter-Jan Belder had its release date on 2010. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 105 out of 336 in Corelli: Complete Edition by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sonata a tre in D Major, WoO 7: IV. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata a tre in D Major, WoO 7: IV. Allegro by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Frank Wakelkamp, David Van Ooijen, Pieter-Jan Belder is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
| Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
| Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | C Minor | 1 | 5A | 98 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : IV. Vivace | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 105 BPM | ||
| Sonate da Chiesa a tre, Op. 3 No. 6 in G Major: I. Vivace | Arcangelo Corelli, Purcell Quartet, Catherine Mackintosh, Elizabeth Wallfisch, Richard Boothby, Robert Woolley, Jakob Lindberg | F Major | 1 | 7B | 136 BPM | ||
| Pergolesi: Sinfonia a tre in F Major: III. Adagio | Giovanni Battista Pergolesi, Il Seminario Musicale | C Minor | 0 | 5A | 111 BPM | ||
| Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
| Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
| Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
| Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 1 | 2B | 139 BPM | ||
| Rameau: Zoroastre, Act 3: Entrée des montagnards | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F Major | 1 | 7B | 49 BPM | ||
| Symphony in C Minor, J-C 9: III. Allegro | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A♭ Major | 1 | 4B | 81 BPM | ||
| Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
| Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 0 | 11B | 94 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| King Arthur, or The British Worthy, Z.628: First Music: Chaconne | Henry Purcell, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 84 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM |