"After Tomorrow Comes (Remastered 2025)" by This Winter Machine had its release date on May 18, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "The Man Who Never Was (Remastered 2025)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, After Tomorrow Comes (Remastered 2025)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With After Tomorrow Comes (Remastered 2025) by This Winter Machine having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| More Than Meets the Eye | Jadis | D Minor | 2 | 7A | 108 BPM | ||
| How Was Your Ride? | Blackfield | E Minor | 4 | 9A | 124 BPM | ||
| Shiny | 8AM | E Minor | 4 | 9A | 131 BPM | ||
| One Day | Unitopia | A♭ Major | 2 | 4B | 140 BPM | ||
| Shadow in the Corner | Galahad | F Major | 9 | 7B | 110 BPM | ||
| Unchained | Karfagen | A Minor | 5 | 8A | 124 BPM | ||
| Carry On - Live | Barock Project | G Minor | 7 | 6A | 160 BPM | ||
| Relativity, Pt. 1 (Through the Dust) | John Lees' Barclay James Harvest | D Major | 3 | 10B | 80 BPM | ||
| Gotta Lose This Ball and chain | Karmakanic | C Major | 4 | 8B | 136 BPM | ||
| Ragusa | Damanek | D Minor | 8 | 7A | 120 BPM | ||
| An Intro | The Watch | G Minor | 2 | 6A | 127 BPM | ||
| Burning Hopes | Siiilk | D Minor | 3 | 7A | 120 BPM | ||
| Out In The Darkness | Martin Orford | F Major | 9 | 7B | 96 BPM | ||
| Falling Through a Hole in the Sky | This Winter Machine | D Major | 6 | 10B | 130 BPM | ||
| Siren's Song | Lee Abraham | A♭ Major | 8 | 4B | 160 BPM | ||
| One of the Many | Rick Miller | G Minor | 5 | 6A | 103 BPM | ||
| The Frame | Esthesis | B Minor | 6 | 10A | 170 BPM | ||
| Chalk Hill | Lee Abraham | A Major | 5 | 11B | 85 BPM | ||
| Counting Down (Pt. 2, The System) | Lee Abraham | A Minor | 5 | 8A | 130 BPM | ||
| A Wound is a Place to Let the Light In | Subsignal | D♭ Minor | 8 | 12A | 140 BPM | ||
| The Final Time | Returned To The Earth | E Minor | 2 | 9A | 154 BPM | ||
| Dead To Me | Ghost Of The Machine | D Minor | 8 | 7A | 204 BPM | ||
| Call Off The Firing Squad | Frozen Factory | F♯ Minor | 6 | 11A | 77 BPM | ||
| ONE | Kalle Wallner, Blind Ego | C Minor | 6 | 5A | 84 BPM | ||
| Look at Me | Marco Glühmann | D♭ Minor | 8 | 12A | 180 BPM |