Quartango's ' "La milonga de Buenos Aires" was released on its scheduled release date, December 2, 1995. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 12 in Espresso by Quartango. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, La milonga de Buenos Aires's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of La milonga de Buenos Aires by Quartango is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Otra Vez | Juan Carlos Caceres | B♭ Minor | 6 | 3A | 117 BPM | ||
| Gallo Ciego | Tanghetto | G Major | 7 | 9B | 110 BPM | ||
| Tango D'amor (feat. Bellma Cespedes) | Tango Jointz, Bellma Cespedes | F Major | 4 | 7B | 116 BPM | ||
| Libertango | Lilí Gardés | D Major | 5 | 10B | 120 BPM | ||
| De Vidrio | Típica Messiez, Emiliano Messiez, Manuel Quiroga | A Minor | 4 | 8A | 113 BPM | ||
| Le donne belle/Volare | Hyperion Ensemble, Ruben Peloni, Trio Creartis | D Major | 6 | 10B | 98 BPM | ||
| Se dice de mi | Quinteto Pirincho | E Minor | 5 | 9A | 93 BPM | ||
| El Violín De Becho | El Muro Tango, Juan Villarreal | A Minor | 2 | 8A | 112 BPM | ||
| Tiramisu | Bassa | F Major | 4 | 7B | 124 BPM | ||
| I'm a Professor | Arnau Bataller, Simon Smith | B♭ Minor | 1 | 3A | 112 BPM | ||
| Integración - Instrumental | Fabio Hager Sexteto | D Minor | 6 | 7A | 115 BPM | ||
| Viejo Ciego | Adolfo Berón | E Minor | 5 | 9A | 135 BPM | ||
| Ausencia | Amores Tangos | G Minor | 1 | 6A | 100 BPM | ||
| El Recodo | Rodolfo Biagi, Orquesta de Rodolfo Biagi | D Major | 3 | 10B | 122 BPM | ||
| Este Es el Rey | Juan D'Arienzo y su Orquesta Típica | F♯ Minor | 4 | 11A | 130 BPM | ||
| Lágrimas en el Acorde | Tango Project, Quartango, Bassa | D Major | 7 | 10B | 127 BPM | ||
| Punto final - Instrumental | Fabio Hager Sexteto | D Major | 6 | 10B | 120 BPM | ||
| Encanto Rojo | Fabio Hager Sexteto | A Minor | 6 | 8A | 114 BPM | ||
| Toca tango | Tango Negro Trio, Juan Carlos Caceres | D Minor | 5 | 7A | 145 BPM | ||
| A Evaristo Carriego | Orquesta Color Tango | D Minor | 4 | 7A | 112 BPM | ||
| La Milonga | Tanghetto | A Major | 6 | 11B | 110 BPM | ||
| Toca Tango | Juan Carlos Caceres | G Minor | 3 | 6A | 136 BPM | ||
| La Pulpera de Santa Lucia | Tango Negro Trio, Juan Carlos Caceres, David Pecetto | D Minor | 5 | 7A | 120 BPM | ||
| Araca Corazon | Tango No. 9 | E Minor | 2 | 9A | 119 BPM | ||
| De Floreo | Color Tango | E Minor | 2 | 9A | 117 BPM |