Glenn Gould, Juilliard String Quartet, Vladimir Golschmann's ' "So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered" was released on its scheduled release date, 1967. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Glenn Gould Silver Jubilee Album (Gould Remastered)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered by Glenn Gould, Juilliard String Quartet, Vladimir Golschmann having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Pieces, Op. 51: No. 1, Fragilité. Allegretto | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
| Songs Without Words, Book 2, Op. 30: No. 3 in E Major, MWV U 104 | Felix Mendelssohn, Glenn Gould | E Major | 0 | 12B | 74 BPM | ||
| Suite en Sol Majeur, RCT 6: VI. Les triolets | Jean-Philippe Rameau, Alexandre Tharaud | D Major | 0 | 10B | 94 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| 10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM | ||
| Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
| 12 Danzas españolas, Op. 37: 2. Oriental | Enrique Granados, Alicia de Larrocha | C Minor | 0 | 5A | 66 BPM | ||
| Goldberg Variations, BWV 988: Var. 12, Canone alla quarta - 1981 Version | Johann Sebastian Bach, Glenn Gould | G Major | 5 | 9B | 91 BPM | ||
| Lied opus 34 no.4, transcription Franz Liszt: Suleika | Felix Mendelssohn, Bertrand Chamayou | E Minor | 1 | 9A | 142 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| Prokofiev: Music for Children, Op. 65: No. 1, Morning | Sergei Prokofiev, György Sebök | G Minor | 1 | 6A | 85 BPM | ||
| Nocturne No. 4 in F Major, Op. 15 No. 1 | Frédéric Chopin, Claudio Arrau | F Major | 0 | 7B | 63 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
| Pièces de Clavecin, Livre II, 6e ordre, Livre I, 5e ordre: I. La Logiviére | François Couperin, Alexandre Tharaud | A Major | 1 | 11B | 124 BPM | ||
| Etudes, CD 143: XI. Pour les arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
| Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
| Goldberg Variations, BWV 988: Var. 25 - 1981 Version | Johann Sebastian Bach, Glenn Gould | C Minor | 0 | 5A | 142 BPM | ||
| Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
| Bach, JS: Keyboard Partita No. 2 in C Minor, BWV 826: I. Sinfonia. Grave | Johann Sebastian Bach, Martha Argerich | D♭ Minor | 7 | 12A | 104 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Sonata No. 46, Hob. XVI:31: II. Allegretto | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 3 | 8B | 152 BPM | ||
| Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
| Bartók: For Children, Sz. 42, Book I "Based On Hungarian Folk Tunes": No. 3, Quasi adagio | Béla Bartók, Georges Pludermacher | D Major | 3 | 10B | 163 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM |