"Strauss, R: Don Quixote, Op. 35: Variation II. The Victorious Struggle Against the Army of the Great Emperor Alifanfaron" by Richard Strauss, Steven Isserlis, Cynthia Phelps, Minnesota Orchestra, Edo de Waart had its release date on September 15, 1998. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 34 in Cello Concertos by Steven Isserlis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Strauss, R: Don Quixote, Op. 35: Variation II. The Victorious Struggle Against the Army of the Great Emperor Alifanfaron is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strauss, R: Don Quixote, Op. 35: Variation II. The Victorious Struggle Against the Army of the Great Emperor Alifanfaron by Richard Strauss, Steven Isserlis, Cynthia Phelps, Minnesota Orchestra, Edo de Waart is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
| Tristan und Isolde, WWV 90: Prelude | Richard Wagner, Bayreuth Festival Orchestra, Karl Böhm | C Major | 1 | 8B | 77 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | C Major | 0 | 8B | 76 BPM | ||
| Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
| Ravel: La Valse: La Valse, M. 72 | Maurice Ravel, Mariss Jansons, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 108 BPM | ||
| Also sprach Zarathustra, Op. 30, TrV 176: 1. Einleitung (Sonnenaufgang) - Live | Richard Strauss, Lucerne Festival Orchestra, Riccardo Chailly | C Major | 2 | 8B | 145 BPM | ||
| Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
| Theme and Variations, Op. 42 | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | B Major | 0 | 1B | 87 BPM | ||
| Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
| The Firebird (Original Version): No. 20, Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | E♭ Minor | 0 | 2A | 172 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: IV. Allegretto | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 121 BPM | ||
| Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
| Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Czech Philharmonic, Semyon Bychkov | D Minor | 1 | 7A | 114 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Miroirs, M. 43: IV. Alborada del gracioso, M. 43c | Maurice Ravel, Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Wolfgang Sawallisch, Bayerisches Staatsorchester | E♭ Major | 1 | 5B | 80 BPM | ||
| Symphony No. 2 in E Minor, Op. 27: Ib. Allegro moderato | Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 85 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM |