"Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento" by Wilhelm Friedemann Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener had its release date on February 3, 2017. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 14 in Dynastie - Bach Family Concertos by Jean Rondeau. In terms of popularity, Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento by Wilhelm Friedemann Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto in E Flat Major, RV 408 (F.III No. 5): II. Largo | Antonio Vivaldi, Roel Dieltiens, Ensemble Explorations | C Minor | 1 | 5A | 102 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Manuscrit de Tournus, Suite in D Minor: Prélude | Monsieur de Sainte-Colombe, Lucile Boulanger | D♭ Minor | 1 | 12A | 102 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Double Flute Sonata No. 5 in E-Flat Major, F. 58: I. Un poco allegro | Wilhelm Friedemann Bach, Barthold Kuijken, Marc Hantaï | D Major | 0 | 10B | 64 BPM | ||
| Concerto in F Major, HWV 333: V. Allegro ma non troppo | George Frideric Handel, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | F♯ Minor | 1 | 11A | 78 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
| Concerto grosso No. 5 in D Minor: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | E Minor | 2 | 9A | 140 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: IV. Allemande. Allegro | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 117 BPM | ||
| Sinfonia in F Major, Fk. 67: III. Allegro | Wilhelm Friedemann Bach, Salzburg Chamber Philharmonic Orchestra, Yoon K. Lee | F Major | 1 | 7B | 112 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 7 | Domenico Scarlatti, Scott Ross | F♯ Major | 5 | 2B | 109 BPM | ||
| Cello Sonata in F Major, Op. 1, No. 1: I. Largo | Benedetto Marcello, Collegium Pro Musica | B Major | 1 | 1B | 77 BPM | ||
| Sonata Da Chiesa No. 1 in D Major, Op. 5: IV. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B♭ Minor | 1 | 3A | 85 BPM | ||
| Ciaccona, Op. 12 No. 20 | Tarquinio Merula, Tafelmusik Baroque Orchestra, Elisa Citterio | C Major | 1 | 8B | 113 BPM | ||
| Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 103 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 5 in D Minor: IV. Minuetto. Molto veloce | Alessandro Scarlatti, Europa Galante, Fabio Biondi | D♭ Minor | 2 | 12A | 164 BPM | ||
| Concerto Armonico No. 4 in G Major: Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 96 BPM | ||
| Scarlatti, A: Sonata for Recorder and Strings No. 2 in A Minor: III. Fuga | Alessandro Scarlatti, Fabio Biondi, Europa Galante, Petr Zejfart | A♭ Minor | 1 | 1A | 137 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: IV. Gigue | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: VI. Menuets 1 Et 2 (Alternativement) | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 168 BPM |