Tim Wynn's 'Game Over' had a release date set for February 5, 2016. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of XCOM 2 (Original Soundtrack from the Video Game) by Tim Wynn. The song's track number on the album is #3 out of 29 tracks. Game Over is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Game Over by Tim Wynn has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Game Over being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Restaurant | Michael Nielsen, Kaveh Cohen | C Major | 5 | 8B | 156 BPM | ||
| Machinus Divinitus Combat | Steve Molitz | A Major | 10 | 11B | 136 BPM | ||
| Fight to Freedom | Net-Zone | D♭ Minor | 7 | 12A | 146 BPM | ||
| Severance Combat | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Hidden Intentions | Piotr Musiał | D Minor | 3 | 7A | 71 BPM | ||
| Imperium's Bastion | Dmitry V. Silantyev | D Minor | 5 | 7A | 156 BPM | ||
| Ruin's Rise | Oleksa Lozowchuk | A Major | 6 | 11B | 160 BPM | ||
| Divide Main Theme | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| The Master Appears | Danny Bensi and Saunder Jurriaans | A Major | 5 | 11B | 84 BPM | ||
| Mines of Avarice Combat - Tiny Tina's Assault on Dragon Keep | Raison Varner | A Minor | 4 | 8A | 144 BPM | ||
| Advent Coalition | Tim Wynn | D Major | 4 | 10B | 100 BPM | ||
| Theme from Assassin's Creed Syndicate Jack the Ripper | Bear McCreary | A Major | 2 | 11B | 120 BPM | ||
| High Pressure | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| Swarm Down | Audiomachine | D Major | 8 | 10B | 130 BPM | ||
| Implants | Tim Wynn | F Major | 5 | 7B | 80 BPM | ||
| The Imperial Fleet | Andreas Waldetoft | E Minor | 5 | 9A | 95 BPM | ||
| Violent Elephant | Jeff van Dyck | B Major | 8 | 1B | 105 BPM | ||
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM | ||
| Unforgiving Sands | Ludvig Forssell | B♭ Minor | 5 | 3A | 108 BPM | ||
| Resynthesis | Sam Hulick | A Minor | 4 | 8A | 120 BPM | ||
| Situation Critical | Derek Duke, Overwatch | G Minor | 3 | 6A | 102 BPM | ||
| Squad Loadout | Tim Wynn | G Minor | 8 | 6A | 100 BPM | ||
| The Blasted Heath | Stuart Chatwood | G Minor | 7 | 6A | 80 BPM | ||
| The Ruin | Curtis Schweitzer | D Minor | 8 | 7A | 135 BPM | ||
| Pink Slip Protocol | Justin E. Bell | C Major | 5 | 8B | 160 BPM |