Max Morath's ' "The Thriller" was released on its scheduled release date, January 1, 2006. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Ragtime Women". In this album, this song's track order is #5. Based on our statistics, The Thriller's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Thriller by Max Morath having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Comic Cake Walk | Robert Vollstedt, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | F Major | 1 | 7B | 92 BPM | ||
| Friday Night Blues | Johnny Maddox | C Major | 5 | 8B | 95 BPM | ||
| Hindustan | Glen Gray, Casa Loma Orchestra | F♯ Minor | 3 | 11A | 171 BPM | ||
| Loud Speakin' Papa | The Charleston Chasers | E♭ Major | 1 | 5B | 177 BPM | ||
| Clarinete Marmelade | Black Bottom Stompers | F Major | 4 | 7B | 131 BPM | ||
| In The Background | French Jazz Cafe | C Major | 1 | 8B | 110 BPM | ||
| Little Bits | Johnny Dodds, Jimmy Blythe | F♯ Minor | 3 | 11A | 171 BPM | ||
| Close Shave | John Kirby, Charlie Shavers, Buster Bailey, Russell Procope, Billy Kyle, O'Neill Spencer | E♭ Major | 4 | 5B | 113 BPM | ||
| Centre Tendu (Blue Goose Rag) | Steven Mitchell | E Major | 5 | 12B | 112 BPM | ||
| Fun at the Ritz | Gerhard Groitzsch | E♭ Major | 5 | 5B | 102 BPM | ||
| Crying For The Carolines | James P. Johnson | E Minor | 3 | 9A | 137 BPM | ||
| Chinese Whispers | The Charleston Chasers | F Major | 4 | 7B | 98 BPM | ||
| James Scott: Hilarity Rag | James Scott, Max Morath | A♭ Major | 2 | 4B | 181 BPM | ||
| Harlem Jump | Jack Teagarden | F Minor | 4 | 4A | 115 BPM | ||
| Baltimore Todolo | Brian Holland, Danny Coots, Martin Spitznagel | B♭ Major | 5 | 6B | 102 BPM | ||
| The Seagull Shuffle | Martin Spitznagel | A♭ Major | 2 | 4B | 119 BPM | ||
| George Botsford: Grizzly Bear Rag | George Botsford, Max Morath | G Major | 2 | 9B | 89 BPM | ||
| The Stampede | Coleman Hawkins, Fletcher Henderson & His Orchestra | D♭ Major | 3 | 3B | 105 BPM | ||
| Frantonality - Version 2 | Erroll Garner Trio | E♭ Minor | 1 | 2A | 129 BPM | ||
| Time to Quickstep | Keith Nichols | G Major | 2 | 9B | 107 BPM | ||
| The Flat Foot Floogie | Slim Gaillard | C Major | 4 | 8B | 88 BPM | ||
| The Song Is Ended | Les Brown & His Orchestra | A♭ Major | 1 | 4B | 135 BPM | ||
| Poor Katie Redd | Eubie Blake, Richard Dowling | B♭ Major | 3 | 6B | 136 BPM | ||
| If I Could Be With You | James P. Johnson | F♯ Minor | 3 | 11A | 171 BPM | ||
| Big Wig in the Wigwam - 1939 Version | Raymond Scott, The Dancepators | G Minor | 4 | 6A | 136 BPM |