Philip Larkin's ' "No Road" was released on its scheduled release date, May 26, 2014. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Less Deceived". In this album, this song's track order is #13. No Road is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With No Road by Philip Larkin having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When we pray | Gurlt | B♭ Major | 6 | 6B | 89 BPM | ||
| “Come Unto Me, All Ye Who Labour” | Spiritual Unfoldment with John Butler | A♭ Major | 1 | 4B | 79 BPM | ||
| Politics | Derek & Clive | D♭ Major | 1 | 3B | 80 BPM | ||
| Toads | Philip Larkin | F Major | 2 | 7B | 79 BPM | ||
| Render Unto Caesar That Which Is Caesar’s | Spiritual Unfoldment with John Butler | D♭ Major | 1 | 3B | 90 BPM | ||
| Lessons Learned in Moscow 17 | Rabbi Yoel Ferber | F Minor | 4 | 4A | 77 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Monolys | Bardfin | A Major | 0 | 11B | 137 BPM | ||
| How to Become Born Again | PraiseGod Okere | C Major | 5 | 8B | 94 BPM | ||
| Just so Stories: How the Whale Got His Throat | Rudyard Kipling, Ralph Fiennes | A♭ Major | 3 | 4B | 170 BPM | ||
| One Inch Tall | Shel Silverstein | B♭ Major | 3 | 6B | 100 BPM | ||
| Chapter 15 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A Major | 4 | 11B | 171 BPM | ||
| Aladdin, Pt. 14 | Fairy Tales for Kids, Kids, Fairy Tales | A♭ Major | 2 | 4B | 62 BPM | ||
| Introduction to the Pullen Song | Michael Harris | F♯ Minor | 3 | 11A | 93 BPM | ||
| Track 2 - The Sirens of Time Part 1 | Doctor Who, Nicholas Briggs, Peter Davison, Colin Baker, Sylvester McCoy | B Major | 2 | 1B | 77 BPM | ||
| Embrace Challenges for Real Growth | Eckhart Tolle | D♭ Minor | 2 | 12A | 77 BPM | ||
| Happiness Isn't Very Interesting | Nik_Poetry | C Major | 2 | 8B | 110 BPM | ||
| Intro to The Haunted and the Hunters | Alfred Hitchcock | A Minor | 0 | 8A | 107 BPM | ||
| Lesson 11c | Kieran Ball | B♭ Minor | 0 | 3A | 129 BPM | ||
| Places: Loved Ones | Philip Larkin | D Major | 1 | 10B | 165 BPM | ||
| San Francisco Scene - The Beat Generation | Jack Kerouac | C Major | 7 | 8B | 110 BPM | ||
| Non Stop Dancer | My Mum Song | Derek & Clive | A♭ Major | 1 | 4B | 62 BPM | ||
| Applying Presence to Challenges | Eckhart Tolle | F♯ Major | 2 | 2B | 118 BPM | ||
| The Sonnets: Sonnet 29: When In Disgrace With Fortune and Men's Eyes | William Shakespeare, Margaret Howard, Bernard Palmer | A Major | 3 | 11B | 96 BPM | ||
| One Mother (with Steve Allen) | Jack Kerouac | D Minor | 1 | 7A | 83 BPM |