"Conjuring #5" by Jill Tracy had its release date on January 1, 1995. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 10 in the song's album "Quintessentially Unreal". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Conjuring #5 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Conjuring #5 by Jill Tracy having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wedding Song | The Widow's Bane | D Minor | 6 | 7A | 120 BPM | ||
| Stockholm Syndrome | Nostalghia | G Major | 6 | 9B | 124 BPM | ||
| Slow Sin Jazz | Silencio | B Minor | 4 | 10A | 78 BPM | ||
| The Skin | Pretty Balanced | B Major | 1 | 1B | 175 BPM | ||
| Chrome | Recoil | C Minor | 6 | 5A | 136 BPM | ||
| Turpentine | This Way To The Egress | F Major | 7 | 7B | 137 BPM | ||
| Gutter Tango | Harlequin Jones | B Minor | 5 | 10A | 142 BPM | ||
| Treacherous Thing | Ego Likeness | B♭ Minor | 6 | 3A | 130 BPM | ||
| The Bird Girl | Circus Contraption | C Major | 1 | 8B | 168 BPM | ||
| What The Water Gave Me | Mishkin Fitzgerald | E Major | 5 | 12B | 108 BPM | ||
| Dark Carnivale | Frenchy and the Punk | G Minor | 6 | 6A | 103 BPM | ||
| The Stalker Song | Charlotte Martin | D Minor | 3 | 7A | 111 BPM | ||
| You Leave Me Cold | Jill Tracy | A♭ Major | 4 | 4B | 114 BPM | ||
| The Epic Song | Harlequin Jones | E♭ Minor | 7 | 2A | 127 BPM | ||
| Flirtin' With Death | This Way To The Egress | A♭ Major | 6 | 4B | 132 BPM | ||
| Gemini girly song | Katzenjammer Kabarett | B♭ Minor | 5 | 3A | 200 BPM | ||
| Bonnie And Clyde | Vermillion Lies | E Major | 4 | 12B | 82 BPM | ||
| The Devil (Didn't Make Me Do It) | Twin Temple | D Major | 7 | 10B | 121 BPM | ||
| Psychosis | Amanda Jayne | F Minor | 8 | 4A | 99 BPM | ||
| Dance While the Sky Crashes Down | Jason Webley | A Minor | 3 | 8A | 137 BPM | ||
| Do I Move You | Jihae | F Minor | 4 | 4A | 181 BPM | ||
| The Fine Art of Poisoning | Jill Tracy | A Minor | 3 | 8A | 121 BPM | ||
| Looks That Kill | Shivaree | F Major | 6 | 7B | 131 BPM | ||
| Bogeyman | Johnny Hollow | A♭ Major | 6 | 4B | 87 BPM | ||
| Drumming for Pistols | Puerto Muerto | A Major | 4 | 11B | 160 BPM |