"Today It Came" by Hania Rani had its release date on April 5, 2019. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Today It Came's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in Esja by Hania Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Today It Came is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Today It Came by Hania Rani is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cold (Mvt. 3) | Erland Cooper | A Minor | 2 | 8A | 84 BPM | ||
| Non Fiction: II.II Presto | Hania Rani, Manchester Collective, Jack Wyllie, Valentina Magaletti, Hugh Tieppo-Brunt | G Major | 1 | 9B | 65 BPM | ||
| Escape - Hania Rani Remix | Skalpel, Hania Rani | G Minor | 4 | 6A | 117 BPM | ||
| Boy in a Water Globe (Solo Piano) | Slow Meadow | D♭ Major | 0 | 3B | 100 BPM | ||
| The See Within | Echo Collective, Margaret Hermant, Gary De Cart, Neil Leiter, Charlotte Danhier | E Minor | 1 | 9A | 101 BPM | ||
| Vetur Genginn í Garð | Eydís Evensen | D Minor | 0 | 7A | 70 BPM | ||
| Berceuse Rework | Felix Rösch, mondëna quartet | C Minor | 2 | 5A | 78 BPM | ||
| Schlaflied | Felix Rösch, mondëna quartet | D Major | 1 | 10B | 206 BPM | ||
| Will We Be There | David Moore | G Minor | 2 | 6A | 130 BPM | ||
| Rurka | Hania Rani | A Major | 0 | 11B | 87 BPM | ||
| The Beach - from I Never Cry | Hania Rani | D♭ Minor | 0 | 12A | 129 BPM | ||
| Invisible Forces | James Heather | G Minor | 0 | 6A | 77 BPM | ||
| Mormor | Jacob David | G Minor | 0 | 6A | 62 BPM | ||
| Nouveau-Né (Re-Imagined) | Phoria | B Major | 1 | 1B | 79 BPM | ||
| The Place Where They Go | Carlos Cipa | E♭ Major | 0 | 5B | 206 BPM | ||
| Bora | Olivia Belli | C Minor | 2 | 5A | 176 BPM | ||
| Re | Nils Frahm | F♯ Minor | 1 | 11A | 109 BPM | ||
| Eternal | Eydís Evensen, Ari Bragi Kárason | F♯ Minor | 4 | 11A | 106 BPM | ||
| Dawn Chorus | Jon Hopkins | D Major | 1 | 10B | 85 BPM | ||
| Hawaii Oslo | Hania Rani | G Minor | 1 | 6A | 90 BPM | ||
| Last to Let Go - Daigo Hanada Rework | Richard Luke, Daigo Hanada | C Minor | 1 | 5A | 98 BPM | ||
| if i could do it all again | Sofi Paez | A Minor | 1 | 8A | 87 BPM | ||
| 2400 | Martyn Heyne | E♭ Minor | 1 | 2A | 104 BPM | ||
| My fellow creatures | Carlos Cipa | E Minor | 0 | 9A | 104 BPM | ||
| Talking to my Father | Hauschka | A Minor | 0 | 8A | 126 BPM |