On 2006, the song "Sete Saias Tá Aí" was released by Filhas de Iemanja. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sete Saias Tá Aí's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Pomba Gira Sete Saias". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Brazil. In terms of popularity, Sete Saias Tá Aí is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sete Saias Tá Aí by Filhas de Iemanja having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantiga para Ogun No. 1 | Xirê Àlágbé | C Major | 7 | 8B | 129 BPM | ||
| Congo de Sassaravá | Nelson Mateus e Filhas de Iemanjá | B♭ Major | 9 | 6B | 124 BPM | ||
| Iansã, Olha a Matamba | Filhas de Iemanja | E Major | 5 | 12B | 88 BPM | ||
| Uma Cabana no Mato - Exú Morcego | Henrique de Oxum | B♭ Minor | 2 | 3A | 75 BPM | ||
| Mourão do Mar | Morro da Crioula | E♭ Minor | 6 | 2A | 94 BPM | ||
| A Dona Do Cabare | Maria Padilha | G Major | 7 | 9B | 97 BPM | ||
| Pontos De Iansã / Iansã | Zé Maurício Machline | D♭ Major | 4 | 3B | 97 BPM | ||
| Imberê | Filhas de Iemanja | G Minor | 5 | 6A | 121 BPM | ||
| Saudação Aos Pretos Velhos III | Dudu Tucci | F Minor | 8 | 4A | 100 BPM | ||
| Cigana da Praia | Templo a Caminho da Paz | F♯ Minor | 6 | 11A | 90 BPM | ||
| Urbirajara é Caboclo Valente | Filhas de Iemanja | F Minor | 6 | 4A | 114 BPM | ||
| Rosa Caveira Acende uma Vela para Ela | Cae lopes | D♭ Major | 4 | 3B | 76 BPM | ||
| Eu Não Seria Nada Se Não Fosse Ogum | Zé Carlos d' oxóssi | A Minor | 5 | 8A | 160 BPM | ||
| Canto A Exu | Dudu Tucci | F♯ Major | 8 | 2B | 154 BPM | ||
| Suncê Vai Ganhá | Os Caboclos | E Major | 4 | 12B | 94 BPM | ||
| Chamada de Boiadeiro | Élcio Póvoa | G Major | 8 | 9B | 98 BPM | ||
| Sou Filho de Embaré | Pérola D'Iemanjá, Bhethânia Lemme | F Major | 3 | 7B | 101 BPM | ||
| Despedida de Umbanda / Adeus Tambor | Pai Pedro Miranda | F Major | 5 | 7B | 89 BPM | ||
| A Dona da Casa Chegou | Gustavo Omã, Ponto de jurema | F Minor | 5 | 4A | 196 BPM | ||
| Corda De Laçar Meu Boi | Miguel de Tempo Deuandá | B♭ Major | 7 | 6B | 111 BPM | ||
| Saudação a Ewa | Pai Cido de Oxum | E♭ Major | 7 | 5B | 166 BPM | ||
| Ponto De Oxóssi | Zé Maurício Machline | D♭ Major | 5 | 3B | 116 BPM | ||
| Tiriri Ele Abre os Caminhos | Amigos do Axé | B Major | 9 | 1B | 101 BPM | ||
| Felipe De Oxala | Maria Padilha | A Minor | 8 | 8A | 167 BPM | ||
| SE CABARÉ FECHAR /QUEM É ESSA MULHER /POMBAGIRA | Ogan Helder | B♭ Major | 4 | 6B | 99 BPM |