"Little Requiems (Voiceless Mix) - Pt. 2" by Max Richter, Grace Davidson, Mari Samuelsen, Robert Ziegler had its release date on July 31, 2020. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. This song is part of Voices by Max Richter. The song's track number on the album is #23 out of 50 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Little Requiems (Voiceless Mix) - Pt. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Little Requiems (Voiceless Mix) - Pt. 2 by Max Richter, Grace Davidson, Mari Samuelsen, Robert Ziegler has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Little Requiems (Voiceless Mix) - Pt. 2 being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloaming | Angus MacRae | F Minor | 3 | 4A | 82 BPM | ||
| Bloom From Whence They Came | Solomon Grey | B Major | 4 | 1B | 90 BPM | ||
| IV. Mrs Dalloway: Meeting Again | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 1 | 2A | 78 BPM | ||
| Hike | Hauschka | C Major | 3 | 8B | 80 BPM | ||
| Current | Phoria | A♭ Minor | 1 | 1A | 78 BPM | ||
| Deep Saffron | Roger Eno, Brian Eno | A Major | 0 | 11B | 95 BPM | ||
| My Journey - Film Version for "The Father" / David Menke Remix | Ludovico Einaudi, David Menke | D♭ Minor | 1 | 12A | 70 BPM | ||
| Brotin | Eydís Evensen | B Minor | 0 | 10A | 68 BPM | ||
| Dew Drops | Pieter de Graaf | B Minor | 0 | 10A | 60 BPM | ||
| Chop on the Climbout | Mary Lattimore | C Major | 1 | 8B | 103 BPM | ||
| Being Anne | Anne Müller | E Minor | 2 | 9A | 84 BPM | ||
| Amaya's Theme - Version 2 | Ben Salisbury | F Major | 0 | 7B | 73 BPM | ||
| Teddy and Clara | Federico Jusid | C Major | 1 | 8B | 135 BPM | ||
| Restrictus - Annelie Rework | Mario Batkovic, Annelie | E♭ Minor | 0 | 2A | 148 BPM | ||
| The Lambing | Tóti Guðnason | E♭ Minor | 0 | 2A | 86 BPM | ||
| Dream 0 (till break of day) - Pt. 10 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | F♯ Major | 1 | 2B | 77 BPM | ||
| Recomposed by Max Richter: Vivaldi, the Four Seasons: Spring 1 | Max Richter, Daniel Hope, Christian Badzura, Jane Berthe, Zürcher Kammerorchester | D♭ Minor | 2 | 12A | 102 BPM | ||
| Motherhood | Howard Shore, Ludwig Wicki, Holger Groschopp | F Major | 0 | 7B | 72 BPM | ||
| Dream 1 (before the wind blows it all away) - Pt. 4 | Max Richter | F♯ Major | 0 | 2B | 67 BPM | ||
| Familia Es Familia | pandor | E Major | 6 | 12B | 115 BPM | ||
| Love & Rage | Johan Söderqvist, Mari Samuelsen, TrondheimSolistene | E Minor | 1 | 9A | 88 BPM | ||
| My Friend the Forest | Nils Frahm | E♭ Minor | 0 | 2A | 80 BPM | ||
| And Om | Nils Frahm | E♭ Major | 0 | 5B | 71 BPM | ||
| As Light Moves | Jim Perkins | B Minor | 1 | 10A | 76 BPM | ||
| The Faculty Wife | Jocelyn Pook | A♭ Major | 0 | 4B | 73 BPM |