Glenn Wool's ' "Mexican Street Dog" was released on its scheduled release date, November 18, 2014. This song is quite longer than the average track at 5 minutes and 11 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 9 in the song's album "No Land's Man". In this album, this song's track order is #9. Mexican Street Dog is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Mexican Street Dog by Glenn Wool having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pre-People | Robert Mac | F♯ Major | 6 | 2B | 75 BPM | ||
| Pee Sitting Down | Dan Levy | D Minor | 7 | 7A | 123 BPM | ||
| Family Decals | Andy Hendrickson | D Minor | 5 | 7A | 81 BPM | ||
| Shitty Kids | Louis C.K. | C Major | 5 | 8B | 122 BPM | ||
| Just a Pipe Dream | Stewart Francis | D♭ Major | 8 | 3B | 93 BPM | ||
| Why I Stopped Drinking | Tom Rhodes | E♭ Major | 6 | 5B | 75 BPM | ||
| Counting Nuggets | Casey Corbin | A♭ Major | 3 | 4B | 100 BPM | ||
| Brothers Are Phenomenal! | Bret Ernst | B Major | 4 | 1B | 81 BPM | ||
| 3 Girls | Jim Breuer | E♭ Minor | 3 | 2A | 124 BPM | ||
| Digital Cable | Matt Pavich | E♭ Major | 6 | 5B | 76 BPM | ||
| The War on Los Angeles | Steve Hofstetter | F♯ Major | 4 | 2B | 92 BPM | ||
| Nail Salon | Keith Alberstadt | B Minor | 7 | 10A | 122 BPM | ||
| A Man with a Plan...B | Ryan Sickler | C Major | 7 | 8B | 86 BPM | ||
| End Of Days | Keith Alberstadt | D Major | 8 | 10B | 50 BPM | ||
| The Troubles | Glenn Wool | F♯ Major | 2 | 2B | 60 BPM | ||
| In Cold Blood | Sam Tallent | F Major | 4 | 7B | 132 BPM | ||
| Dvd Players In Car | Orny Adams | A♭ Minor | 8 | 1A | 88 BPM | ||
| Game Over | Lachlan Patterson | F♯ Minor | 7 | 11A | 87 BPM | ||
| Saying Goodbye & Dog Messages | Andy Hendrickson | D Major | 4 | 10B | 82 BPM | ||
| Polar Bears and Bears of Color | Robert Mac | F♯ Minor | 8 | 11A | 146 BPM | ||
| Feel Equal | Ryan Stout | F♯ Minor | 6 | 11A | 118 BPM | ||
| Mentally Handicat/Lithp | Chris Maddock | D♭ Major | 6 | 3B | 84 BPM | ||
| Adam | Sean Donnelly | E♭ Major | 9 | 5B | 103 BPM | ||
| 40 is The New 20 | Andrew Orvedahl | C Major | 6 | 8B | 142 BPM | ||
| Drive Like Your Kid Lives Here | Andrew Orvedahl | F♯ Major | 5 | 2B | 105 BPM |