On February 14, 1983, the song "Goin’ to San Diego" was released by Allen Ginsberg, David Amram, Perry Robinson, Bob Dylan, Happy Traum, Jon Sholle, Suriya, Moruga, Peter Orlovsky, Anne Waldman. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 24 in First Blues by Allen Ginsberg. The popularity of Goin’ to San Diego is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Goin’ to San Diego by Allen Ginsberg, David Amram, Perry Robinson, Bob Dylan, Happy Traum, Jon Sholle, Suriya, Moruga, Peter Orlovsky, Anne Waldman is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| Song Of The Snowy Ranges - Vocal | Robbie Basho | A Major | 5 | 11B | 113 BPM | ||
| Let's See What You Could Have Won | Quiet Marauder | D♭ Major | 9 | 3B | 160 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Dambala | Exuma | C Major | 8 | 8B | 106 BPM | ||
| Hard Nut | Simben | A Minor | 1 | 8A | 131 BPM | ||
| A Doughnut in My Hand | Ivor Cutler | D Major | 3 | 10B | 108 BPM | ||
| When I Ran off and Left Her | Vic Chesnutt | G Major | 3 | 9B | 165 BPM | ||
| Samson and the Warden | Loudon Wainwright III | C Major | 2 | 8B | 97 BPM | ||
| Just a Step | GRANDAD HOLT. | E♭ Major | 0 | 5B | 132 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| CIA Dope Calypso | Allen Ginsberg, Arthur Russell, Jon Sholle, David Mansfield, Steven Taylor | A Major | 6 | 11B | 164 BPM | ||
| Ode to an Anzac. | GRANDAD HOLT. | E♭ Minor | 4 | 2A | 113 BPM | ||
| Man Walks Among Us | Jonathan Richman | A Minor | 1 | 8A | 95 BPM | ||
| Lucy (Version #2) | Nick Cave & The Bad Seeds | E♭ Major | 2 | 5B | 111 BPM | ||
| Dreams | Langston Hughes | D Major | 1 | 10B | 171 BPM | ||
| Den lige vej | Mr. B & DDD | C Major | 3 | 8B | 113 BPM | ||
| Abraham (with Steve Allen) | Jack Kerouac | D♭ Major | 1 | 3B | 61 BPM | ||
| Effervescing Elephant | Syd Barrett | G Major | 2 | 9B | 122 BPM | ||
| Gospel Noble Truths | Allen Ginsberg, Arthur Russell, Jon Sholle, David Mansfield, Steven Taylor | A Major | 6 | 11B | 164 BPM | ||
| The Fall Of Troy | Tom Waits | C Major | 2 | 8B | 122 BPM | ||
| Beautiful Redeemer and King. | LISA SILWOOD, GRANDAD HOLT. | F Major | 1 | 7B | 103 BPM | ||
| Bowery Blues (with Steve Allen) | Jack Kerouac | F Minor | 2 | 4A | 84 BPM | ||
| The Lake of Innisfree | William Butler Yeats | A♭ Major | 1 | 4B | 81 BPM | ||
| What is? | Bongwater | A Major | 2 | 11B | 130 BPM |