"Devonshire - Instrumental" by Patrick Doyle, Robert Ziegler, Tony Hymas had its release date on December 12, 1995. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Sense & Sensibility - Original Motion Picture Soundtrack". In this album, this song's track order is #5. The popularity of Devonshire - Instrumental is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Devonshire - Instrumental by Patrick Doyle, Robert Ziegler, Tony Hymas having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Barbara's Last Journey | Maurizio Malagnini | A Major | 2 | 11B | 67 BPM | ||
| Footloose and Fancy Free | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Saving Sarah Cain - Main Titles | Mark McKenzie | D Major | 2 | 10B | 165 BPM | ||
| I Met Someone (From "Return to Me") | Nicholas Pike | F Major | 1 | 7B | 72 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM | ||
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| Umbridge Spoils a Beautiful Morning | Nicholas Hooper | G Minor | 1 | 6A | 61 BPM | ||
| Donwell Abbey (Haydn's Farewell Symphony) | Amber Anderson | E Major | 1 | 12B | 174 BPM | ||
| Ever After Main Title | George Fenton | G Minor | 1 | 6A | 89 BPM | ||
| A Ball | Samuel Sim | E Minor | 1 | 9A | 65 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| Adaline Bowman | Rob Simonsen | E Minor | 1 | 9A | 79 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| Amelia | Gabriel Yared | A Minor | 0 | 8A | 103 BPM | ||
| The Drive To Immaculata ("The Mighty Macs" Main Title) | William Ross | A Major | 1 | 11B | 139 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| The Wedding | Jóhann Jóhannsson | B♭ Major | 2 | 6B | 135 BPM | ||
| Ginny | Nicholas Hooper | E Minor | 1 | 9A | 111 BPM | ||
| Walking Through The Garden | Zbigniew Preisner | G Major | 1 | 9B | 70 BPM | ||
| Tuck's Letter | Aaron Zigman | C Major | 1 | 8B | 57 BPM | ||
| To All The Ships At Sea | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM |