Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Dryade, Echo)
Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rudolf Schock, Philharmonia Orchestra
R. Strauss: Ariadne auf Naxos
8:29 1955
BPM
76
Key
G Minor
Camelot
6A

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Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Dryade, Echo) by Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rudolf Schock, Philharmonia Orchestra Song Details

"Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Dryade, Echo)" by Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rudolf Schock, Philharmonia Orchestra had its release date on 1955. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Dryade, Echo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Dryade, Echo) by Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rudolf Schock, Philharmonia Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Music Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.291 dB
Acousticness
84%
Danceability
32%
Energy
29%
Instrumentalness
0%
Liveness
37%
Loudness
73%
Speechiness
34%
Valence
14%

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ISRC
GBAYC9900493
Label
L-M Records/RCA Records