"Back To The Pod (Version 2) / Crazies Come Out" by John Carpenter, Alan Howarth had its release date on January 1, 2005. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Back To The Pod (Version 2) / Crazies Come Out's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 28 in Escape from New York (Original Motion Picture Soundtrack) by John Carpenter, Alan Howarth. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Back To The Pod (Version 2) / Crazies Come Out is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Back To The Pod (Version 2) / Crazies Come Out by John Carpenter, Alan Howarth is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Entry To White Castle | Oneohtrix Point Never | B♭ Minor | 5 | 3A | 150 BPM | ||
| School Play | Daniel Lopatin | B♭ Minor | 6 | 3A | 148 BPM | ||
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| The Fog | John Carpenter | A Major | 0 | 11B | 109 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Haunted Piano | Rob | A♭ Major | 2 | 4B | 115 BPM | ||
| Main Title (Stephen King's IT) | Richard Bellis | F Major | 1 | 7B | 72 BPM | ||
| Care Package | Basil Poledouris | F Major | 0 | 7B | 83 BPM | ||
| The Crate | John Harrison | A Major | 3 | 11B | 147 BPM | ||
| Corridors | Hildur Guðnadóttir | E Major | 3 | 12B | 162 BPM | ||
| Party, Crash | Colin Stetson | B♭ Minor | 2 | 3A | 150 BPM | ||
| Black-Blue-White - From "To Live And Die In L.A." Soundtrack | Wang Chung | B♭ Minor | 9 | 3A | 107 BPM | ||
| Across The Roof | John Carpenter, Alan Howarth | C Minor | 4 | 5A | 87 BPM | ||
| Main Title | Don Davis | E♭ Major | 2 | 5B | 53 BPM | ||
| Welcome to Morningside/ Hand in Box | Fred Myrow, Malcolm Seagrave | C Major | 2 | 8B | 99 BPM | ||
| Father | Disasterpeace | D♭ Major | 5 | 3B | 120 BPM | ||
| Savage Rite | Riz Ortolani | B Minor | 3 | 10A | 81 BPM | ||
| The Retribution | Pino Donaggio | B♭ Major | 0 | 6B | 169 BPM | ||
| String Quartet | The National Philharmonic Orchestra-Conducted by Leonard Slatkin | G Major | 4 | 9B | 80 BPM | ||
| 1.5_1-askingthe1mpossible.m4p | Mac Quayle | C Major | 0 | 8B | 136 BPM | ||
| Attack On Dyson - Remastered 2017 | Brad Fiedel | A Major | 3 | 11B | 75 BPM | ||
| Ray Wakes Up | Oneohtrix Point Never | B Minor | 4 | 10A | 89 BPM | ||
| Trailer Park | David Shire | A♭ Major | 1 | 4B | 172 BPM | ||
| Late Evening In Jersey - From "Heat" | Brian Eno | D♭ Major | 2 | 3B | 134 BPM | ||
| Terrifier 2022 | Paul Wiley | D Major | 3 | 10B | 120 BPM |