Conway Twitty's ' "The Reason Why I'm Here" was released on its scheduled release date, January 1, 1977. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Conway Twitty's "I've Already Loved You In My Mind" album is number 5 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of The Reason Why I'm Here is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Reason Why I'm Here by Conway Twitty to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stand Up | Mel McDaniel | D Major | 6 | 10B | 164 BPM | ||
| One in a Million | Johnny Lee | G Major | 4 | 9B | 120 BPM | ||
| Ballad Of Forty Dollars | Tom T. Hall | D Major | 7 | 10B | 114 BPM | ||
| Stand By Me | Mickey Gilley | D♭ Major | 3 | 3B | 101 BPM | ||
| One More Last Chance | Vince Gill | D Major | 9 | 10B | 176 BPM | ||
| War Is Hell (On the Homefront Too) | T.G. Sheppard | F Major | 5 | 7B | 170 BPM | ||
| Making Believe | Loretta Lynn, Conway Twitty | D Major | 2 | 10B | 99 BPM | ||
| Drinkin' Thing | Gary Stewart | F Major | 4 | 7B | 104 BPM | ||
| You've Really Got a Hold On Me | Mickey Gilley | F Major | 3 | 7B | 76 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Goin' Through The Big D | Mark Chesnutt | B♭ Major | 9 | 6B | 174 BPM | ||
| You'e the Reason God Made Oklahoma | David Frizzell, Shelly West | A Major | 4 | 11B | 97 BPM | ||
| Baby's Got Her Blue Jeans On | Mel McDaniel | B♭ Major | 7 | 6B | 107 BPM | ||
| When a Man Can't Get a Woman off His Mind | Gene Watson | D Major | 5 | 10B | 100 BPM | ||
| Anymore | Travis Tritt | B Major | 3 | 1B | 148 BPM | ||
| Working Man | John Conlee | C Major | 4 | 8B | 127 BPM | ||
| The Fireman | George Strait | D Major | 6 | 10B | 169 BPM | ||
| I Tell It Like It Used To Be | T. Graham Brown | D Major | 6 | 10B | 89 BPM | ||
| Lonely Women Make Good Lovers | Steve Wariner | D♭ Major | 4 | 3B | 118 BPM | ||
| Do You Love As Good As You Look | The Bellamy Brothers | G Major | 5 | 9B | 122 BPM | ||
| The Race Is On | George Jones | A Major | 7 | 11B | 170 BPM | ||
| I Can't See Me Without You | Conway Twitty | A Major | 2 | 11B | 80 BPM | ||
| Will You Visit Me On Sunday | Conway Twitty | D Major | 3 | 10B | 109 BPM | ||
| A Week In A Country Jail | Tom T. Hall | A Major | 5 | 11B | 114 BPM | ||
| Next To You, Next To Me | Shenandoah | A♭ Major | 7 | 4B | 189 BPM |