Tim Miller's 'Straight Lines' had a release date set for January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Trio". In this album, this song's track order is #6. Based on our statistics, Straight Lines's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Straight Lines by Tim Miller having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never the Same Way Once | Bill Bruford | D Major | 3 | 10B | 117 BPM | ||
| Belmont Peak | Josh Meader, Matthew Thomson, Alex Hirlian | D♭ Major | 7 | 3B | 82 BPM | ||
| Untied | Tim Miller | E Minor | 7 | 9A | 155 BPM | ||
| Soupe Du Jour (Interlude) | Flat Moon | F Minor | 5 | 4A | 122 BPM | ||
| Downtown | Tim Miller | D Major | 3 | 10B | 143 BPM | ||
| Signals | Wayne Krantz | D Major | 7 | 10B | 100 BPM | ||
| After Hours | Tribal Tech | E Minor | 6 | 9A | 119 BPM | ||
| Full Throttle | Tim Derochie | F Minor | 5 | 4A | 122 BPM | ||
| Ostina | David Preston, Kit Downes, Sebastian Rochford, Kevin Glasgow | G Major | 3 | 9B | 68 BPM | ||
| W 48th street | Biréli Lagrène, Raphael Pannier, Jean-Yves Jung, William Brunard | F Minor | 5 | 4A | 122 BPM | ||
| Don't Tell Me | Wayne Krantz | A Minor | 5 | 8A | 132 BPM | ||
| Density Two | Tim Miller | G Major | 5 | 9B | 157 BPM | ||
| Double-Faced | Tigran Hamasyan | A Minor | 5 | 8A | 114 BPM | ||
| Narkissos | Yiorgos Fakanas | B Minor | 8 | 10A | 132 BPM | ||
| Outrage | VMV Trio, Vincenzo Di Gioia, Marco Cutillo, Vito Tenzone | F Minor | 5 | 4A | 122 BPM | ||
| Imperial Strut | Yellowjackets | A♭ Major | 6 | 4B | 128 BPM | ||
| Bor Fusion | Steve Cheung | D Major | 9 | 10B | 118 BPM | ||
| Brooklyn Sometimes | Kurt Rosenwinkel | A Minor | 5 | 8A | 109 BPM | ||
| High Pass | Josh Meader, Matthew Thomson, Alex Hirlian | F♯ Minor | 7 | 11A | 135 BPM | ||
| From T.o.p. | Alain Caron | C Major | 8 | 8B | 115 BPM | ||
| Somersaults | Bill Bruford | E Minor | 3 | 9A | 82 BPM | ||
| Room Tone | eel | F Minor | 5 | 4A | 122 BPM | ||
| Fire | Kiyafro | A Major | 4 | 11B | 116 BPM | ||
| Drafts | eel | F Minor | 5 | 4A | 122 BPM | ||
| Sparkle | Tim Miller | F♯ Minor | 6 | 11A | 105 BPM |