"Return" by Adam Crystal had its release date on May 12, 2017. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Return's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 6 in Frontier (Original Soundtrack) by Adam Crystal. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Return's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Return by Adam Crystal is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can You See Me | Power-Haus, Duomo | F Major | 5 | 7B | 168 BPM | ||
| Spiral, for Violin, Piano and Strings: IV. Part 2 | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman, Royal Philharmonic Orchestra | A Major | 4 | 11B | 120 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Charles | Martin Phipps | D Minor | 0 | 7A | 117 BPM | ||
| Heptapod B (Arr. Knoth) | Jóhann Jóhannsson, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | E♭ Minor | 3 | 2A | 84 BPM | ||
| Jumpman Quintet | Kirill Richter | F Major | 2 | 7B | 177 BPM | ||
| Theme From Free Dance | Nathan Lanier | B♭ Major | 1 | 6B | 115 BPM | ||
| Finding Oscar | Adam Crystal | A Minor | 2 | 8A | 108 BPM | ||
| Desert Flower | Martin Todsharow | G Minor | 3 | 6A | 120 BPM | ||
| bad guy | Vitamin String Quartet | F Major | 3 | 7B | 135 BPM | ||
| Akram Khan's Giselle (After A. Adam): Ceremony | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| La Roue Cyr | Armand Amar | G Minor | 3 | 6A | 75 BPM | ||
| Troubled Heritage | Paul Mottram | A Major | 5 | 11B | 83 BPM | ||
| The White Crow (Arr. Eshkeri/Orch. Dannheisser) | Pyotr Ilyich Tchaikovsky, Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 138 BPM | ||
| Market Diktat song | Jean-Philippe Goude | F Major | 6 | 7B | 100 BPM | ||
| Spiral Staircase Chase | Ronan Maillard | B♭ Major | 6 | 6B | 100 BPM | ||
| Prime Suspect | Gabriel Saban | F Minor | 5 | 4A | 120 BPM | ||
| Road Trip | Danny Bensi and Saunder Jurriaans | A Minor | 0 | 8A | 90 BPM | ||
| Architect of the Mind | Kerry Muzzey | E Minor | 6 | 9A | 90 BPM | ||
| Dark Violin | Stefan Rodescu, Yannick Kalfayan | D Minor | 8 | 7A | 110 BPM | ||
| Movement 3 | Adam Crystal | C Minor | 3 | 5A | 106 BPM | ||
| Joined Together | Rob Lane, Josephine Knight, The Chamber Orchestra Of London | A Minor | 2 | 8A | 164 BPM | ||
| En plein air | Remo Anzovino | A Minor | 3 | 8A | 120 BPM | ||
| F-U Gary | Adam Crystal | A♭ Minor | 2 | 1A | 180 BPM |