"THE CREATED VOID - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020" by Underoath had its release date on November 6, 2020. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Underoath's "LOST IN THE SOUND OF SEPARATION LIVE RECORDING" album is number 7 out of 11. On top of that, United Kingdom appears to be the country where this track was created. The popularity of THE CREATED VOID - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of THE CREATED VOID - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 by Underoath to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Only Our Faces Hide | Beloved | D Major | 10 | 10B | 173 BPM | ||
| I Never Saw It Coming | Confide | C Major | 10 | 8B | 192 BPM | ||
| Three Simple Words | Finch | A♭ Major | 9 | 4B | 97 BPM | ||
| Sunburnt | Underoath | A Minor | 9 | 8A | 100 BPM | ||
| For The Workforce, Drowning | Thursday | D Minor | 9 | 7A | 95 BPM | ||
| Blue Burns Orange | Hawthorne Heights | B Minor | 8 | 10A | 172 BPM | ||
| Under A Killing Moon | Thrice | A♭ Major | 10 | 4B | 185 BPM | ||
| New Medicines | Dead Poetic | F♯ Minor | 9 | 11A | 145 BPM | ||
| Free Again | Scary Kids Scaring Kids | E♭ Minor | 10 | 2A | 170 BPM | ||
| 3 AM | Chiodos | G Major | 9 | 9B | 163 BPM | ||
| The Only Medicine | Scary Kids Scaring Kids | E Minor | 10 | 9A | 101 BPM | ||
| I Am The Wind, You Are The Feather | Vanna | G Major | 10 | 9B | 131 BPM | ||
| Walls | Emery | D♭ Minor | 9 | 12A | 169 BPM | ||
| Hey, It's Your Funeral Mama | Alexisonfire | A♭ Major | 9 | 4B | 112 BPM | ||
| Stick Stickly | Attack Attack! | F Minor | 10 | 4A | 145 BPM | ||
| Understanding In A Car Crash | Thursday | F Major | 9 | 7B | 163 BPM | ||
| This Year's Most Open Heartbreak | Funeral For A Friend | D♭ Minor | 10 | 12A | 198 BPM | ||
| All Nereids Beware | Chiodos | G Minor | 8 | 6A | 102 BPM | ||
| Where Can I Stab Myself In The Ears | Hawthorne Heights | E♭ Minor | 9 | 2A | 171 BPM | ||
| In Vogue | Drop Dead, Gorgeous | G Minor | 9 | 6A | 176 BPM | ||
| Car Underwater | Armor For Sleep | D Major | 8 | 10B | 147 BPM | ||
| Ride The Wings Of Pestilence | From First To Last | G Minor | 9 | 6A | 165 BPM | ||
| City In A Snowglobe | Before Their Eyes | C Minor | 9 | 5A | 140 BPM | ||
| As Your Voice Fades | Emery | E♭ Minor | 5 | 2A | 134 BPM | ||
| E.R. | Drop Dead, Gorgeous | A♭ Major | 9 | 4B | 92 BPM |