Chapter 57 - Charles Manson Coming Down Fast - A Chilling Biography by Simon Wells, Peter Curran Song Details

Simon Wells, Peter Curran's ' "Chapter 57 - Charles Manson Coming Down Fast - A Chilling Biography" was released on its scheduled release date, April 1, 2010. Chapter 57 - Charles Manson Coming Down Fast - A Chilling Biography is considered explicit and may contain foul language. This song is about 3 minutes and 1 seconds, which is about the average length of a typical song. The song is number 57 out of 319 in Charles Manson Coming Down Fast - A Chilling Biography (Unabridged) by Simon Wells. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Chapter 57 - Charles Manson Coming Down Fast - A Chilling Biography's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

The tempo marking of Chapter 57 - Charles Manson Coming Down Fast - A Chilling Biography by Simon Wells, Peter Curran is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.

Music Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.19 dB
Acousticness: 63%
Danceability: 71%
Energy: 14%
Instrumentalness: 0%
Liveness: 18%
Loudness: 61%
Speechiness: 94%
Valence: 52%

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