- BPM
- 80
- Key
- C Major
- Camelot
- 8B
Étude VII by Hans Sitt, Jonathan Prado Song Details
On June 24, 2024, the song "Étude VII" was released by Hans Sitt, Jonathan Prado. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Étude VII's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Sitt Op. 32 (Estudios de 1-20)". In this album, this song's track order is #7. Étude VII is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With Étude VII by Hans Sitt, Jonathan Prado having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -7.747 dB
- Acousticness
- 92%
- Danceability
- 65%
- Energy
- 50%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 87%
- Speechiness
- 5%
- Valence
- 82%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Trio in A Minor, Op. 50: IIa. Var. 9, Andante flebile ma non tanto | Pyotr Ilyich Tchaikovsky, Trio Karénine | D♭ Minor | 0 | 12A | 87 BPM | |
 | Violin Sonata No. 2 in G Major, Op. 13: II. Allegretto tranquillo | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | |
 | Albumblätter, Op. 39: No. 3, Allegro | Hans Sitt, Alicia Calabuig, Jorge Blasco | D♭ Major | 0 | 3B | 77 BPM | |
 | Raff: Cavatina in A-Flat Major, Op. 85 No. 3 | Joachim Raff, Itzhak Perlman | D Major | 2 | 10B | 100 BPM | |
 | Kodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998) | Zoltán Kodály, Truls Mørk, Chantal Juillet | G Major | 0 | 9B | 96 BPM | |
 | Morceaux de fantaisie, Op. 3: No. 1 Elegie | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E♭ Minor | 1 | 2A | 102 BPM | |
 | Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Augustin Dumay, Maria João Pires | B♭ Minor | 0 | 3A | 103 BPM | |
 | 3 Melodies, Op. 7: No. 1, Après un rêve (Transc. for Cello by Camille Thomas) | Gabriel Fauré, Camille Thomas, Julien Libeer | E♭ Major | 1 | 5B | 81 BPM | |
| Albumblätter, Op. 39: No. 5, Lento | Hans Sitt, Alicia Calabuig, Jorge Blasco | D♭ Major | 0 | 3B | 77 BPM | |
 | Abbey Road concerto for Violin and Orchestra: I. Ouverture | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 95 BPM | |
 | Dvorak: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro ma non troppo | Antonín Dvořák, Augustin Hadelich, Jakub Hrůša, Bavarian Radio Symphony Orchestra | D Minor | 1 | 7A | 56 BPM | |
 | Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | |
| 3 Stücke, Op. 102: No. 1, Romanze | Hans Sitt, Alicia Calabuig, Jorge Blasco | D Major | 0 | 10B | 138 BPM | |
 | Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | |
 | Nin: 20 Cantos Populares Españoles: No. 6, Granadina, Chant D'Espagne Pour Violoncelle Et Piano (Arr. Kochanski for Cello and Piano) | Joaquin Nin, Paul Tortelier, John Newmark | D Major | 1 | 10B | 84 BPM | |
 | Piano Trio No. 3 in F Minor, Op. 65, B. 130: III. Poco adagio | Antonín Dvořák, Trio 258 | G Major | 0 | 9B | 96 BPM | |
 | Sis Sonets: Dels quatre vents | Eduard Toldrà, Mac McClure, Juan Carlos Higuita | F Major | 2 | 7B | 129 BPM | |
 | Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | |
 | Langsamer Satz | Anton Webern, Leonkoro Quartet | G Major | 0 | 9B | 96 BPM | |
 | Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | |
 | Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | G Major | 0 | 9B | 96 BPM | |
 | 3 Songs, Op. 7, No. 1. Après un rêve: 3 Songs, Op. 7: No. 1, Après un rêve (Arr. For cello and piano) | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | A♭ Major | 1 | 4B | 91 BPM | |
 | Violin Concertino in A Minor, Op. 93: II. Andante | Hans Sitt, Andrzej Ladomirski, Monika Kruk | F Major | 1 | 7B | 80 BPM | |
 | Albumblätter, Op. 39: No. 4, Allegro | Hans Sitt, Danae Dörken, Adrien La Marca | G Major | 0 | 9B | 138 BPM |
- ISRC
- QZNWY2482676
- Label
- L-M Records/RCA Records