Bali, Pale Ram, Satbir, Ranbir's ' "A Sasu Ke Ab Part 7" was released on its scheduled release date, June 16, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Delhi Samaypur Competition 96 Vol 2 by Bali. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, A Sasu Ke Ab Part 7 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of A Sasu Ke Ab Part 7 by Bali, Pale Ram, Satbir, Ranbir is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mo Jibana Gote Naa | Namita Agrawal | F Minor | 9 | 4A | 168 BPM | ||
| Tor Maya Ke Boli Khatir | Mithlesh Sahu, Mamta Chandrakar | G Major | 9 | 9B | 83 BPM | ||
| Godachiya Puravasa | Surekha, Shamitha | D Major | 6 | 10B | 97 BPM | ||
| Bolbam Jiba Ho Kandhe Bohi Kawanr | Bali, Subrat Moharana | A♭ Major | 8 | 4B | 131 BPM | ||
| Mana Kini Nie Pana Patara | Namita Agrawal | B Minor | 8 | 10A | 124 BPM | ||
| Jivan Sathi | Vivek Sharma, Monika Verma | A♭ Major | 9 | 4B | 79 BPM | ||
| A Mor Priyanka Sajani | Bali | A♭ Minor | 8 | 1A | 89 BPM | ||
| Thagibeka Chilaka | Shabbir Dange, Shamitha Malnad | D♭ Major | 9 | 3B | 125 BPM | ||
| Aahe Chakaakhi | Pankaj Jal | C Major | 6 | 8B | 156 BPM | ||
| Radhe Tere Darbar Ki Mahima Nirali Hai | Krishna Goswami Ji Maharaj | F Major | 8 | 7B | 84 BPM | ||
| Aag Lagi Jaito Tor Dhan Me | Azad Ansari | E♭ Minor | 8 | 2A | 172 BPM | ||
| Shreeharim Shraye | Sri Ganapathy Sachchidananda Swamiji | E Major | 9 | 12B | 137 BPM | ||
| Jab Kahe Uss Part 2 | Satbir, Ranbir, Rajender, Bali, Surender | G Major | 5 | 9B | 77 BPM | ||
| Turi Man Khojat He Sarkari Dauka | Pratap Bhardwaj, Bhima | F♯ Minor | 8 | 11A | 128 BPM | ||
| Maa Talli Bramaramba | Swarna | F Major | 6 | 7B | 166 BPM | ||
| Kempana Gallada Pori | M D Anand | A♭ Major | 9 | 4B | 117 BPM | ||
| Padku Bolat He | Mamta Chandrakar, Mithalesh, Kuleshwar Patel | F Minor | 6 | 4A | 79 BPM | ||
| Hentha Kaligala Idu | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM | ||
| Tor Lugra Ke Achhra Ma | Laxman Masturiya, Kavita Vasnik | B♭ Minor | 8 | 3A | 140 BPM | ||
| Aur Sati Waha | Satbir, Ranbir, Bauram, Bali, Narender, Pasi | D Major | 4 | 10B | 137 BPM | ||
| Dem Evil | Aryeh Yah, Bali, Rastaveli Mc | A♭ Major | 4 | 4B | 120 BPM | ||
| Kate Jhaadi Kate Jungle | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 7 | 2B | 105 BPM | ||
| Brushabha Padichi Prabhunku Chanhi | Namita Agrawal | G Major | 7 | 9B | 122 BPM | ||
| Dekhtera | Surendra | D♭ Major | 5 | 3B | 120 BPM | ||
| Chalo Re Chalo Re | Mithlesh Sahu, Chhaya Chandrakar | E Major | 9 | 12B | 95 BPM |