On January 1, 1968, the song "Long Walk To D.C." was released by The Staple Singers. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Long Walk To D.C.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Soul Folk In Action". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Long Walk To D.C.'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Long Walk To D.C. by The Staple Singers having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wait A Minute | Barbara Stephens | B♭ Major | 8 | 6B | 144 BPM | ||
| I Like What You're Doing (To Me) | Carla Thomas | E Major | 3 | 12B | 114 BPM | ||
| No Pity (In The Naked City) | Jackie Wilson | G Major | 4 | 9B | 75 BPM | ||
| Down Home Girl | The Coasters | B♭ Major | 4 | 6B | 100 BPM | ||
| (If You Think You're) Groovy | P.P. Arnold | A♭ Major | 6 | 4B | 89 BPM | ||
| Everything I Do Goin' Be Funky | Don Covay | B♭ Minor | 6 | 3A | 141 BPM | ||
| Do Your Thing | Charles Wright & The Watts 103rd Street Rhythm Band | A Major | 5 | 11B | 127 BPM | ||
| A Shot of Rhythm And Blues | Jimmy Hughes | A♭ Minor | 7 | 1A | 161 BPM | ||
| I Was Born Blue | Swamp Dogg | C Major | 4 | 8B | 75 BPM | ||
| The Last Waltz Suite: The Weight (feat. The Staples) | The Band, The Staple Singers | A Major | 8 | 11B | 74 BPM | ||
| Part Time Love | Ann Peebles | C Major | 5 | 8B | 100 BPM | ||
| Seize the Time | Elaine Brown | B♭ Minor | 5 | 3A | 137 BPM | ||
| Wish I Had Answered | The Staple Singers | A♭ Major | 4 | 4B | 173 BPM | ||
| Backlash Blues | Nina Simone | B♭ Major | 6 | 6B | 116 BPM | ||
| Saved | LaVern Baker | B♭ Major | 6 | 6B | 146 BPM | ||
| Raise Your Hand | Eddie Floyd | A Major | 3 | 11B | 100 BPM | ||
| Ain't Nobody Home | Howard Tate | D Major | 6 | 10B | 96 BPM | ||
| I've Got Reasons | Mary Jane Hooper | B♭ Minor | 6 | 3A | 95 BPM | ||
| Born on the Bayou | Al Wilson | C Major | 7 | 8B | 136 BPM | ||
| I Just Can't Keep It To Myself | The Caravans, The Staple Singers | F Major | 1 | 7B | 133 BPM | ||
| MORE AND MORE | Little Milton | B♭ Major | 5 | 6B | 105 BPM | ||
| I Take What I Want | Ann Peebles | A Major | 5 | 11B | 100 BPM | ||
| Reagan Is for the Rich Man | Louisiana Red | A Major | 5 | 11B | 169 BPM | ||
| My Dawlin' New Orleans | Lil' Queenie & The Percolators | G Major | 9 | 9B | 90 BPM | ||
| I Got To Be Myself | The Staple Singers | C Major | 5 | 8B | 113 BPM |